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• Why The Sixth Sense Is Still Important 23 Years Later
• Over 20 New Horror Movies and Shows Releasing in September 2021!
• 10 horror movies set in Ohio
• What’s on TV Saturday: ‘Caught in His Web’ on Lifetime; Winter Olympics on NBC, CNBC and USA
• Best Horror Movies Directed by Women
• The 50 Best Horror Movies Of The 21st Century
• Netflix’s ‘Texas Chainsaw Massacre’ and 7 More New Horror Movies Releasing This Week!
• Movies to Watch When You’re Depressed
• It’s Time for a Scary Ghostbusters Movie
• Movies on TV this week: ‘Solo: A Star Wars Story’ on TNT; ‘Stand by Me’ on BBC America

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      string(602) "When The Sixth Sense was released in 1999, it was such a big hit, thanks to the amazing talent behind the film. It’s one of M. Night Shyamalan’s best movies, if not the best one, and Bruce Willis gives an incredible performance as Malcolm Crowe, a therapist trying to help Cole Sear (Haley Joel Osment). ... Read more"
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When The Sixth Sense was released in 1999, it was such a big hit, thanks to the amazing talent behind the film. It’s one of M. Night Shyamalan’s best movies, if not the best one, and Bruce Willis gives an incredible performance as Malcolm Crowe, a therapist trying to help Cole Sear (Haley Joel Osment).
  
Horror fans love the massive twist in The Sixth Sense when it turns out that Malcolm is dead and he understands that he was shot. He has been grieving his wife Anna (Olivia Williams) this entire time but he has also been a spirit himself, which is both creepy and brilliant. But besides this smart plot twist, what else is there to celebrate about this popular movie? There are several reasons why The Sixth Sense still feels like an important horror movie, several decades after its release.




GAMERANT VIDEO OF THE DAY



RELATED: Scream 25 Years Later: Why Was It So Important?
The Sixth Sense has a timeless horror movie plot twist, but there are some other things to love and celebrate about the film. Unlike other horror films about scary kids, The Sixth Sense does a great job of creating empathy for Cole and what he’s going through. The movie gives Cole and Malcolm equal weight, showing that they have both experienced a lot of pain in their lives, despite the big age difference between them.
  
While there are many scary moments in the film as fans learn about Cole’s big secret, fans can sympathize with Cole’s mother’s desire for him to fit in and make friends and have more fun in his life. It’s easy to cheer Cole on and hope that Malcolm can help him find more joy in his life. Although The Sixth Sense is remembered as a terrifying movie, and it definitely has its moments, it also has sweet scenes and lots of emotion.




 
 


 
 


 While Mischa Barton is known for her portrayal of Marissa Cooper in the teen drama The O.C., she played Kyra Collins in The Sixth Sense, a young girl whose mother actually poisoned her. It was a horrifying thing to watch and has stuck with audiences ever since. This scene is one reason why The Sixth Sense is still an important horror movie that has endured all of these years. Without this moment, the movie not feel as scary. It added to the feeling that anything could happen to kids in this movie, from cruel parents to seeing ghosts.
  
In an oral history of The Sixth Sense with Variety, Barton said that she wasn’t scared to film the scene because she likes things that are scary. Barton said, “creepy is part of my vernacular. It doesn’t really bother me that much. I’ve always been fascinated by gothic and dark things. So, it wasn’t like I was scared. It was more just really interesting subject matter. I’ve always felt like there’s a real need to do the character justice. Everybody just asks, “Was it traumatizing?” It really wasn’t. I was already 13 and I could handle it.”


 



 
 


 
 


 While there are many iconic horror movie quotes, including some great quotes from Scream 2022 that became instant classics, no one can ever forget the moment when Cole tells Malcolm, “I see dead people.” When audiences find out that Malcolm is dead, the connection between these two characters feels even more important and special. It’s hard to think of a more horrifying moment than seeing an adorable, innocent child say that thay can see ghosts all the time.
M Night. Shyamalan told Variety that CGI wasn’t really developed when the movie was being filmed so they did something else instead. Shyamalan explained, “CGI at that time was not perfected to the place where I felt comfortable that it could do breaths. So, we built a cold room. [Osment] wasn’t acting, it was cold, and you could see the physicality on his skin and the way he’s shivering. And even now, with CGI, I might do it the same way because of what it makes the actors do.”


  
Osment told Rotten Tomatoes that they didn’t expect this quote to go so far: the actor said, “Nobody circled that line or highlighted it or put it on the call sheet as a tag line or something that would come to kind of symbolize the film. I think it took us all by surprise when it sort of had a life of its own after the movie came out.”
With terrifying scenes, great characters, and a bond between Cole and Malcolm that teaches Cole a lot while helping Malcolm move on from this world, it’s no wonder that The Sixth Sense has long been considered one of the greatest horror movies ever made.


  
MORE: Top 10 Best Bruce Willis Movies (According To Metacritic)
                                                                                                                                                                                                                                                                                                



        
            

                            
                    
            


            Bruce Willis is Back as John McClane in a Different Kind of Die Hard

It’s not the sequel fans could hope for, but the ad shows Bruce Willis can still crawl through an air vent like nobody’s business.

Read Next
                                    

        
    About The Author


            Aya Tsintziras

                                    (25 Articles Published)

                            

Aya Tsintziras is a freelance writer who writes about TV, movies, and has a particular interest in the horror genre. She has a Political Science degree from the University of Toronto and a Masters of Journalism from Ryerson University. She loves coffee, reading, working out, and watching TV. She lives in Toronto.

                            More

                    From Aya Tsintziras
                    

                
We  wish to thank the  writer of this  short article for this  remarkable  material



Why The Sixth Sense Is Still Important 23 Years Later

"
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      string(602) "When The Sixth Sense was released in 1999, it was such a big hit, thanks to the amazing talent behind the film. It’s one of M. Night Shyamalan’s best movies, if not the best one, and Bruce Willis gives an incredible performance as Malcolm Crowe, a therapist trying to help Cole Sear (Haley Joel Osment). ... Read more"
      ["atom_content"]=>
      string(12380) "

When The Sixth Sense was released in 1999, it was such a big hit, thanks to the amazing talent behind the film. It’s one of M. Night Shyamalan’s best movies, if not the best one, and Bruce Willis gives an incredible performance as Malcolm Crowe, a therapist trying to help Cole Sear (Haley Joel Osment).
  
Horror fans love the massive twist in The Sixth Sense when it turns out that Malcolm is dead and he understands that he was shot. He has been grieving his wife Anna (Olivia Williams) this entire time but he has also been a spirit himself, which is both creepy and brilliant. But besides this smart plot twist, what else is there to celebrate about this popular movie? There are several reasons why The Sixth Sense still feels like an important horror movie, several decades after its release.




GAMERANT VIDEO OF THE DAY



RELATED: Scream 25 Years Later: Why Was It So Important?
The Sixth Sense has a timeless horror movie plot twist, but there are some other things to love and celebrate about the film. Unlike other horror films about scary kids, The Sixth Sense does a great job of creating empathy for Cole and what he’s going through. The movie gives Cole and Malcolm equal weight, showing that they have both experienced a lot of pain in their lives, despite the big age difference between them.
  
While there are many scary moments in the film as fans learn about Cole’s big secret, fans can sympathize with Cole’s mother’s desire for him to fit in and make friends and have more fun in his life. It’s easy to cheer Cole on and hope that Malcolm can help him find more joy in his life. Although The Sixth Sense is remembered as a terrifying movie, and it definitely has its moments, it also has sweet scenes and lots of emotion.




 
 


 
 


 While Mischa Barton is known for her portrayal of Marissa Cooper in the teen drama The O.C., she played Kyra Collins in The Sixth Sense, a young girl whose mother actually poisoned her. It was a horrifying thing to watch and has stuck with audiences ever since. This scene is one reason why The Sixth Sense is still an important horror movie that has endured all of these years. Without this moment, the movie not feel as scary. It added to the feeling that anything could happen to kids in this movie, from cruel parents to seeing ghosts.
  
In an oral history of The Sixth Sense with Variety, Barton said that she wasn’t scared to film the scene because she likes things that are scary. Barton said, “creepy is part of my vernacular. It doesn’t really bother me that much. I’ve always been fascinated by gothic and dark things. So, it wasn’t like I was scared. It was more just really interesting subject matter. I’ve always felt like there’s a real need to do the character justice. Everybody just asks, “Was it traumatizing?” It really wasn’t. I was already 13 and I could handle it.”


 



 
 


 
 


 While there are many iconic horror movie quotes, including some great quotes from Scream 2022 that became instant classics, no one can ever forget the moment when Cole tells Malcolm, “I see dead people.” When audiences find out that Malcolm is dead, the connection between these two characters feels even more important and special. It’s hard to think of a more horrifying moment than seeing an adorable, innocent child say that thay can see ghosts all the time.
M Night. Shyamalan told Variety that CGI wasn’t really developed when the movie was being filmed so they did something else instead. Shyamalan explained, “CGI at that time was not perfected to the place where I felt comfortable that it could do breaths. So, we built a cold room. [Osment] wasn’t acting, it was cold, and you could see the physicality on his skin and the way he’s shivering. And even now, with CGI, I might do it the same way because of what it makes the actors do.”


  
Osment told Rotten Tomatoes that they didn’t expect this quote to go so far: the actor said, “Nobody circled that line or highlighted it or put it on the call sheet as a tag line or something that would come to kind of symbolize the film. I think it took us all by surprise when it sort of had a life of its own after the movie came out.”
With terrifying scenes, great characters, and a bond between Cole and Malcolm that teaches Cole a lot while helping Malcolm move on from this world, it’s no wonder that The Sixth Sense has long been considered one of the greatest horror movies ever made.


  
MORE: Top 10 Best Bruce Willis Movies (According To Metacritic)
                                                                                                                                                                                                                                                                                                



        
            

                            
                    
            


            Bruce Willis is Back as John McClane in a Different Kind of Die Hard

It’s not the sequel fans could hope for, but the ad shows Bruce Willis can still crawl through an air vent like nobody’s business.

Read Next
                                    

        
    About The Author


            Aya Tsintziras

                                    (25 Articles Published)

                            

Aya Tsintziras is a freelance writer who writes about TV, movies, and has a particular interest in the horror genre. She has a Political Science degree from the University of Toronto and a Masters of Journalism from Ryerson University. She loves coffee, reading, working out, and watching TV. She lives in Toronto.

                            More

                    From Aya Tsintziras
                    

                
We  wish to thank the  writer of this  short article for this  remarkable  material



Why The Sixth Sense Is Still Important 23 Years Later

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      string(634) "Can you feel it? Halloween is in the air, and October is going to be packed with horror offerings. So, consider September the calm before the Halloween storm. That doesn’t mean it’ll be a wasteland for horror offerings; there’s still plenty of new movies and shows to sink your teeth into. The third season of ... Read more"
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Can you feel it? Halloween is in the air, and October is going to be packed with horror offerings. So, consider September the calm before the Halloween storm. That doesn’t mean it’ll be a wasteland for horror offerings; there’s still plenty of new movies and shows to sink your teeth into.
The third season of FX’s “What We Do in the Shadows” kicks off on September 2, reuniting us with our favorite vampire roommates. The new season will see the housemates panic about handling the revelation of Guillermo’s vampire killer lineage. The vampires will also deal with a power upgrade, a tempting Siren, gargoyles, werewolf kickball, Atlantic City casinos, wellness cults, ex-girlfriends, gyms, and supernatural curiosities galore. Plus, Colin Robinson is turning 100. 
September 2 also brings the release of new Shudder original Superhost. Still/Born and Z‘s Brandon Christensen takes on the horror-comedy, pitting vacation vloggers against an unhinged super host. Look for horror mainstay Barbara Crampton.
If you need your regular dose of Ted Bundy, Lin Shaye stars in Ted Bundy: American Boogeyman, coming to VOD & DVD via Dark Star Pictures on September 3. Daniel Farrands’ latest tells “the true story behind the manhunt that brought America’s most fearsome boogieman to justice.”

‘We Need to Do Something’

A family of four seek shelter from a storm, only to become trapped in the bathroom. With no rescue in sight and hours slip into days, teen Melissa (Sierra McCormick) begins to suspect she might be responsible for the horrors plaguing her family and threatening the world. The horrors of We Need to Do Something arrive in limited theaters, digital and VOD on September 3.
September 3 also brings Burial Ground Massacre to digital platforms. Michael Madsen stars in the film that follows a group of college students who spend a night at an old, eerie manor, only to realize that a terrifying stalker is watching their every move.
Sixteen years after making her horror debut in Wolf Creek, actress Cassandra Macgrath is back in Witches of Blackwood, with a day-and-date DVD and Premium TVOD release on September 7. McGrath stars as Claire, “who, following the death of her mother, returns to her hometown, to discover it riddled with witchcraft and overshadowed by a mysterious darkness, steeped in rumors of a soul-stealing entity. As she seeks the truth behind her mother’s death, a confrontation with a coven of witches is the only way to survive.”
“Armed with a few good scares and lush production design, Ruth Platt’s film is a gentle ghost mystery filtered through the eyes of a child,” our own Joe Lipsett said in his review of Martyr’s Lane. Look for this ghostly mystery from a child’s perspective when it arrives on Shudder on September 9. 

‘Malignant’

Perhaps the most anticipated of the month belongs to James Wan’s most welcome return to horror with Malignant, coming to theaters & HBO Max September 10. Annabelle Wallis stars as Madison, a woman paralyzed by horrific visions of grisly murders. She soon realizes that these waking nightmares are a terrifying reality. Wan previously cited Dario Argento, Mario Bava, and Brian DePalma as influences for this one.
Described as an ode to John Waters, Death Drop Gorgeous sees a dejected bartender and an aging drag queen forced to fight for their lives when a masked maniac targets gay men and drains their blood. This one slashes its way into limited theaters and VOD platforms on September 10.
Mary Elizabeth Winstead is the title character in Netflix’s upcoming action-thriller Kate, a female assassin who has just 24 hours to get vengeance on her murderer before she dies. Kate will premiere on Netflix on September 10, and you can expect this one to earn its R-rating.

‘Kate’

Based on the DC Comics series by Brian K. Vaughan and Pia Guerra, and published by Vertigo between 2002 and 2008, “Y: The Last Man” traverses a post-apocalyptic world in which a cataclysmic event decimates every mammal with a Y chromosome but for one cisgender man and his pet monkey. The series adaptation follows the survivors in this new world as they struggle to restore what was lost and the opportunity to build something better. “Y” will premiere on September 13, exclusively on FX on Hulu.
To get you in the holiday spirit, Halloween-set horror anthology Bad Candy is coming to Select Theaters on September 10, On Demand on September 14. “On Halloween night in New Salem, Radio DJs Chilly Billy (Corey Taylor) and Paul (Zach Galligan) tell a twisted anthology of terrifying local myths. Residents of the small-town experience horrifying paranormal encounters that lead them to a grim end.”
Karen kicks off BET’s “Summer of Chills” lineup of original thrillers, arriving on the network on September 14. Karen centers on “Karen Drexler (Taryn Manning), a racist white woman who makes it her personal mission to displace the new Black family that has just moved in next door to her. Community activist Malik (Cory Hardrict) and his wife Imani (Jasmine Burke) are the couple who have just moved to the Atlanta suburb, but they won’t be backing down without a fight.”
From producer Sam Raimi and director David Yarovesky (Brightburn) comes Netflix’s Nightbooks, a kid-friendly gateway horror movie headed to Netflix on September 15. Krysten Ritter stars as an evil witch who kidnaps a special boy and forces him to tell her stories every night.

‘Prisoners of the Ghostland’

The English-language debut of Suicide Club director Sion Sono, Prisoners of the Ghostland, is coming to theaters and on VOD and Digital on September 17. When star Nicolas Cage describes it as “the wildest movie I’ve ever made,” well, you pay attention. Cage stars as a bank robber sprung from prison by The Governor (Bill Moseley) and tasked with retrieving adopted granddaughter Bernice (Sofia Boutella) in this east-meets-west spaghetti western mashup (review).
One of horror’s greatest icons gets a documentary spotlight in Boris Karloff: The Man Behind the Monster. The documentary explores the life and legacy of the legend and receives a limited theatrical run on September 17.
George A. Romero’s horror classic Night of the Living Dead gets an animated adaptation with Night of the Animated Dead. It includes never-before-seen, exclusive animated scenes not found in the original live-action film. Look for it on digital on September 21.
Intrusion arrives on Netflix on September 22, which looks to explore what happens *after* a home invasion upended the lives of a happy couple. It leaves the wife traumatized and suspicious of everyone around her. Logan Marshall-Green (Upgrade) and Freida Pinto (“The Path”) lead the cast.

“Creepshow” season 3

The anthology horror series “Creepshow” returns to Shudder for its brand new third season on September 23, and new episodes will be available every Thursday on the road to Halloween. Still promising to offer the most fun you’ll have being scared, season three brings more vignettes of monsters, murder, the supernatural, and more. Greg Nicotero is back as showrunner and executive producer of “Creepshow,” with confirmed directors for Season 3 including Rusty Cundieff (Tales from the Hood) and Mattie Do (The Long Walk). 
The groundbreaking novels from Isaac Asimov come to the screen in the new Apple TV+ series “Foundation,” set to premiere on September 24. “When revolutionary Dr. Hari Seldon predicts the impending fall of the Empire, he and a band of loyal followers venture to the far reaches of the galaxy to establish The Foundation in an attempt to rebuild and preserve the future of civilization. Enraged by Hari’s claims, the ruling Cleons — a long line of emperor clones — fear their unrivaled reign may be weakening as they’re forced to reckon with the potential reality of losing their powerful legacy forever.”
Netflix will unveil Mike Flanagan’s “favorite project so far” on September 24. The seven-episode limited series “Midnight Mass” tells the tale of a small, isolated island community whose existing divisions are amplified by the return of a disgraced young man (Zach Gilford) and the arrival of a charismatic priest (Hamish Linklater). When Father Paul’s appearance on Crockett Island coincides with unexplained and seemingly miraculous events, a renewed religious fervor takes hold of the community – but do these miracles come at a price?
No One Gets Out Alive, an adaptation of The Ritual author Adam Nevill’s novel, comes to Netflix on September 29 to close out the month’s genre offerings. In the film, “An immigrant (Cristina Rodlo) in search of the American dream is forced to take a room in a boarding house, where she finds herself in a nightmare she can’t escape.”

“Midnight Mass”

We  wish to  give thanks to the  writer of this article for this  outstanding content



Over 20 New Horror Movies and Shows Releasing in September 2021!

"
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      string(634) "Can you feel it? Halloween is in the air, and October is going to be packed with horror offerings. So, consider September the calm before the Halloween storm. That doesn’t mean it’ll be a wasteland for horror offerings; there’s still plenty of new movies and shows to sink your teeth into. The third season of ... Read more"
      ["atom_content"]=>
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Can you feel it? Halloween is in the air, and October is going to be packed with horror offerings. So, consider September the calm before the Halloween storm. That doesn’t mean it’ll be a wasteland for horror offerings; there’s still plenty of new movies and shows to sink your teeth into.
The third season of FX’s “What We Do in the Shadows” kicks off on September 2, reuniting us with our favorite vampire roommates. The new season will see the housemates panic about handling the revelation of Guillermo’s vampire killer lineage. The vampires will also deal with a power upgrade, a tempting Siren, gargoyles, werewolf kickball, Atlantic City casinos, wellness cults, ex-girlfriends, gyms, and supernatural curiosities galore. Plus, Colin Robinson is turning 100. 
September 2 also brings the release of new Shudder original Superhost. Still/Born and Z‘s Brandon Christensen takes on the horror-comedy, pitting vacation vloggers against an unhinged super host. Look for horror mainstay Barbara Crampton.
If you need your regular dose of Ted Bundy, Lin Shaye stars in Ted Bundy: American Boogeyman, coming to VOD & DVD via Dark Star Pictures on September 3. Daniel Farrands’ latest tells “the true story behind the manhunt that brought America’s most fearsome boogieman to justice.”

‘We Need to Do Something’

A family of four seek shelter from a storm, only to become trapped in the bathroom. With no rescue in sight and hours slip into days, teen Melissa (Sierra McCormick) begins to suspect she might be responsible for the horrors plaguing her family and threatening the world. The horrors of We Need to Do Something arrive in limited theaters, digital and VOD on September 3.
September 3 also brings Burial Ground Massacre to digital platforms. Michael Madsen stars in the film that follows a group of college students who spend a night at an old, eerie manor, only to realize that a terrifying stalker is watching their every move.
Sixteen years after making her horror debut in Wolf Creek, actress Cassandra Macgrath is back in Witches of Blackwood, with a day-and-date DVD and Premium TVOD release on September 7. McGrath stars as Claire, “who, following the death of her mother, returns to her hometown, to discover it riddled with witchcraft and overshadowed by a mysterious darkness, steeped in rumors of a soul-stealing entity. As she seeks the truth behind her mother’s death, a confrontation with a coven of witches is the only way to survive.”
“Armed with a few good scares and lush production design, Ruth Platt’s film is a gentle ghost mystery filtered through the eyes of a child,” our own Joe Lipsett said in his review of Martyr’s Lane. Look for this ghostly mystery from a child’s perspective when it arrives on Shudder on September 9. 

‘Malignant’

Perhaps the most anticipated of the month belongs to James Wan’s most welcome return to horror with Malignant, coming to theaters & HBO Max September 10. Annabelle Wallis stars as Madison, a woman paralyzed by horrific visions of grisly murders. She soon realizes that these waking nightmares are a terrifying reality. Wan previously cited Dario Argento, Mario Bava, and Brian DePalma as influences for this one.
Described as an ode to John Waters, Death Drop Gorgeous sees a dejected bartender and an aging drag queen forced to fight for their lives when a masked maniac targets gay men and drains their blood. This one slashes its way into limited theaters and VOD platforms on September 10.
Mary Elizabeth Winstead is the title character in Netflix’s upcoming action-thriller Kate, a female assassin who has just 24 hours to get vengeance on her murderer before she dies. Kate will premiere on Netflix on September 10, and you can expect this one to earn its R-rating.

‘Kate’

Based on the DC Comics series by Brian K. Vaughan and Pia Guerra, and published by Vertigo between 2002 and 2008, “Y: The Last Man” traverses a post-apocalyptic world in which a cataclysmic event decimates every mammal with a Y chromosome but for one cisgender man and his pet monkey. The series adaptation follows the survivors in this new world as they struggle to restore what was lost and the opportunity to build something better. “Y” will premiere on September 13, exclusively on FX on Hulu.
To get you in the holiday spirit, Halloween-set horror anthology Bad Candy is coming to Select Theaters on September 10, On Demand on September 14. “On Halloween night in New Salem, Radio DJs Chilly Billy (Corey Taylor) and Paul (Zach Galligan) tell a twisted anthology of terrifying local myths. Residents of the small-town experience horrifying paranormal encounters that lead them to a grim end.”
Karen kicks off BET’s “Summer of Chills” lineup of original thrillers, arriving on the network on September 14. Karen centers on “Karen Drexler (Taryn Manning), a racist white woman who makes it her personal mission to displace the new Black family that has just moved in next door to her. Community activist Malik (Cory Hardrict) and his wife Imani (Jasmine Burke) are the couple who have just moved to the Atlanta suburb, but they won’t be backing down without a fight.”
From producer Sam Raimi and director David Yarovesky (Brightburn) comes Netflix’s Nightbooks, a kid-friendly gateway horror movie headed to Netflix on September 15. Krysten Ritter stars as an evil witch who kidnaps a special boy and forces him to tell her stories every night.

‘Prisoners of the Ghostland’

The English-language debut of Suicide Club director Sion Sono, Prisoners of the Ghostland, is coming to theaters and on VOD and Digital on September 17. When star Nicolas Cage describes it as “the wildest movie I’ve ever made,” well, you pay attention. Cage stars as a bank robber sprung from prison by The Governor (Bill Moseley) and tasked with retrieving adopted granddaughter Bernice (Sofia Boutella) in this east-meets-west spaghetti western mashup (review).
One of horror’s greatest icons gets a documentary spotlight in Boris Karloff: The Man Behind the Monster. The documentary explores the life and legacy of the legend and receives a limited theatrical run on September 17.
George A. Romero’s horror classic Night of the Living Dead gets an animated adaptation with Night of the Animated Dead. It includes never-before-seen, exclusive animated scenes not found in the original live-action film. Look for it on digital on September 21.
Intrusion arrives on Netflix on September 22, which looks to explore what happens *after* a home invasion upended the lives of a happy couple. It leaves the wife traumatized and suspicious of everyone around her. Logan Marshall-Green (Upgrade) and Freida Pinto (“The Path”) lead the cast.

“Creepshow” season 3

The anthology horror series “Creepshow” returns to Shudder for its brand new third season on September 23, and new episodes will be available every Thursday on the road to Halloween. Still promising to offer the most fun you’ll have being scared, season three brings more vignettes of monsters, murder, the supernatural, and more. Greg Nicotero is back as showrunner and executive producer of “Creepshow,” with confirmed directors for Season 3 including Rusty Cundieff (Tales from the Hood) and Mattie Do (The Long Walk). 
The groundbreaking novels from Isaac Asimov come to the screen in the new Apple TV+ series “Foundation,” set to premiere on September 24. “When revolutionary Dr. Hari Seldon predicts the impending fall of the Empire, he and a band of loyal followers venture to the far reaches of the galaxy to establish The Foundation in an attempt to rebuild and preserve the future of civilization. Enraged by Hari’s claims, the ruling Cleons — a long line of emperor clones — fear their unrivaled reign may be weakening as they’re forced to reckon with the potential reality of losing their powerful legacy forever.”
Netflix will unveil Mike Flanagan’s “favorite project so far” on September 24. The seven-episode limited series “Midnight Mass” tells the tale of a small, isolated island community whose existing divisions are amplified by the return of a disgraced young man (Zach Gilford) and the arrival of a charismatic priest (Hamish Linklater). When Father Paul’s appearance on Crockett Island coincides with unexplained and seemingly miraculous events, a renewed religious fervor takes hold of the community – but do these miracles come at a price?
No One Gets Out Alive, an adaptation of The Ritual author Adam Nevill’s novel, comes to Netflix on September 29 to close out the month’s genre offerings. In the film, “An immigrant (Cristina Rodlo) in search of the American dream is forced to take a room in a boarding house, where she finds herself in a nightmare she can’t escape.”

“Midnight Mass”

We  wish to  give thanks to the  writer of this article for this  outstanding content



Over 20 New Horror Movies and Shows Releasing in September 2021!

"
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      string(523) "COLUMBUS, Ohio (WCMH) — Scary movies are as much a part of Halloween season as trick or treating, costumes, and jumping out of the bushes to give your younger sibling a scare. While there are literally thousands upon thousands of horror movies to choose from, those searching for a taste of Ohio to enjoy with ... Read more"
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COLUMBUS, Ohio (WCMH) — Scary movies are as much a part of Halloween season as trick or treating, costumes, and jumping out of the bushes to give your younger sibling a scare.
While there are literally thousands upon thousands of horror movies to choose from, those searching for a taste of Ohio to enjoy with their bucket of bite-size candy this month don’t have quite as many choices.
However, there are some highly regarded (and some not so much) horror films set in (mostly fictional) Ohio locations.



Below are 10 of the more famous and infamous horror films set in Ohio.
Deadbeat at Dawn
Filmed on a shoestring budget over four years in Dayton, Ohio, this 1988 cult favorite tells the story of the leader of a street gang looking to retire until he finds his girlfriend beaten to death by a rival gang. The film evokes a low-budget early Quentin Tarantino vibe without the pop culture references or, honestly, filmmaking skills, but you can tell the filmmakers had a passion for making the movie.
Deadly Blessing
Set at the fictional Our Blessing farm in an unnamed Ohio location, this film from Cleveland native Wes Craven (a name that appears a lot on this list) is known mostly for featuring Sharon Stone in an early role and Oscar winner Ernest Borgnine chewing up the scenery as the head of an Amish-like religious sect that may or may not be coming after a woman who loses her ex-sect member husband in a tractor “accident.”
ThanksKilling
By no means is this a good film. However, filmed in Granville, Ohio, it is one of those “so bad, it’s good” entries that follows a group of travelers being stalked by a “fowl”-mouthed murderous turkey. The bird puns fly fast and furious (as do the feathers and gore) in a no-budget effort best enjoyed late in the evening. Oh, and there’s a sequel, too… called ThanksKilling 3.
The Faculty
Paying homage to Invasion of the Body Snatchers, this Robert Rodriguez-directed film starred a who’s who of late 90s young actors including pre-Hobbit Elijah Wood, Josh Hartnett, Jordana Brewster, as well as appearances by Jon Stewart, Salma Hayek, and Famke Janssen. A student at a high school in fictional Herrington, Ohio, finds the school nurse dead one minute, alive the next, setting off a battle between the students and whatever is taking over the faculty.
Trick ‘r Treat
Set in the fictional Warren Valley, Ohio, this anthology film centers around one Halloween night, interweaving five separate narratives that all come to a head with the introduction of one of the 2000s most endearing horror mascots, Sam.
Scream 2
This sequel to Wes Craven’s genre-skewering original moves the setting from California to the fictional Windsor College in Ohio. Much like the first Scream, this sequel uses horror movie tropes to inform the story and shows that much like other horror follow-ups, no one is safe.
Super 8
J.J. Abrams’ ode to young backyard filmmakers is equal parts terrifying and heartwarming. Set in an unnamed Ohio town, the movie follows a group of young amateur filmmakers who happen to catch a train derailment on film while making a movie. What follows next is a Spielberg-ian tale of monsters, friendship, and families.
Heathers
Set in the fictional town Sherwood, Ohio, this early vehicle in the careers of Christian Slater and Winona Ryder is more dark comedy than an out-right horror film. However, the dark tale of high school outcasts taking on the popular clique is good for scaring up a few laughs.
The Silence of the Lambs
The climactic confrontation of this multi-Academy Award-winning film was set in an unnamed Ohio town. While no filming took place in the Buckeye state, Clarice Starling’s solo investigation and her confrontation with the film’s serial killer are both set in Ohio. Arguably the best film on this list.
A Nightmare on Elm Street
Set in the fictional town of Springwood, Ohio, Wes Craven’s seminal 1980s horror movie spawned six sequels, a slasher crossover, a less-than-stellar remake, and merchandise encompassing everything from children’s toys to replica razor gloves. Featuring cultural icon Freddy Kruger, this series combined witty one-liners with the silent serial killer gimmick, making the character the most talkative of the 80s slashers. While the series can be an exercise in diminishing returns, the original is a horror classic, Dream Warriors plays with superhero tropes at a time when Iron Man was mostly known as a heavy metal song, and New Nightmare was Craven dipping his toes into meta-commentary before meta-commentary in horror became a genre unto itself.
Honorable mention:
Zombieland and Zombieland: Double Tap
This horror-comedy franchise does not take place in Ohio, but with characters identified by their hometowns (it’s a thing – just go with it), Jesse Eisenberg’s character identifies himself as a Columbus native.




			

				





			

Suggest a Correction


	Suggest a Correction



We  would love to  say thanks to the  writer of this  write-up for this  outstanding content



10 horror movies set in Ohio

"
      }
      ["summary"]=>
      string(523) "COLUMBUS, Ohio (WCMH) — Scary movies are as much a part of Halloween season as trick or treating, costumes, and jumping out of the bushes to give your younger sibling a scare. While there are literally thousands upon thousands of horror movies to choose from, those searching for a taste of Ohio to enjoy with ... Read more"
      ["atom_content"]=>
      string(7063) "

COLUMBUS, Ohio (WCMH) — Scary movies are as much a part of Halloween season as trick or treating, costumes, and jumping out of the bushes to give your younger sibling a scare.
While there are literally thousands upon thousands of horror movies to choose from, those searching for a taste of Ohio to enjoy with their bucket of bite-size candy this month don’t have quite as many choices.
However, there are some highly regarded (and some not so much) horror films set in (mostly fictional) Ohio locations.



Below are 10 of the more famous and infamous horror films set in Ohio.
Deadbeat at Dawn
Filmed on a shoestring budget over four years in Dayton, Ohio, this 1988 cult favorite tells the story of the leader of a street gang looking to retire until he finds his girlfriend beaten to death by a rival gang. The film evokes a low-budget early Quentin Tarantino vibe without the pop culture references or, honestly, filmmaking skills, but you can tell the filmmakers had a passion for making the movie.
Deadly Blessing
Set at the fictional Our Blessing farm in an unnamed Ohio location, this film from Cleveland native Wes Craven (a name that appears a lot on this list) is known mostly for featuring Sharon Stone in an early role and Oscar winner Ernest Borgnine chewing up the scenery as the head of an Amish-like religious sect that may or may not be coming after a woman who loses her ex-sect member husband in a tractor “accident.”
ThanksKilling
By no means is this a good film. However, filmed in Granville, Ohio, it is one of those “so bad, it’s good” entries that follows a group of travelers being stalked by a “fowl”-mouthed murderous turkey. The bird puns fly fast and furious (as do the feathers and gore) in a no-budget effort best enjoyed late in the evening. Oh, and there’s a sequel, too… called ThanksKilling 3.
The Faculty
Paying homage to Invasion of the Body Snatchers, this Robert Rodriguez-directed film starred a who’s who of late 90s young actors including pre-Hobbit Elijah Wood, Josh Hartnett, Jordana Brewster, as well as appearances by Jon Stewart, Salma Hayek, and Famke Janssen. A student at a high school in fictional Herrington, Ohio, finds the school nurse dead one minute, alive the next, setting off a battle between the students and whatever is taking over the faculty.
Trick ‘r Treat
Set in the fictional Warren Valley, Ohio, this anthology film centers around one Halloween night, interweaving five separate narratives that all come to a head with the introduction of one of the 2000s most endearing horror mascots, Sam.
Scream 2
This sequel to Wes Craven’s genre-skewering original moves the setting from California to the fictional Windsor College in Ohio. Much like the first Scream, this sequel uses horror movie tropes to inform the story and shows that much like other horror follow-ups, no one is safe.
Super 8
J.J. Abrams’ ode to young backyard filmmakers is equal parts terrifying and heartwarming. Set in an unnamed Ohio town, the movie follows a group of young amateur filmmakers who happen to catch a train derailment on film while making a movie. What follows next is a Spielberg-ian tale of monsters, friendship, and families.
Heathers
Set in the fictional town Sherwood, Ohio, this early vehicle in the careers of Christian Slater and Winona Ryder is more dark comedy than an out-right horror film. However, the dark tale of high school outcasts taking on the popular clique is good for scaring up a few laughs.
The Silence of the Lambs
The climactic confrontation of this multi-Academy Award-winning film was set in an unnamed Ohio town. While no filming took place in the Buckeye state, Clarice Starling’s solo investigation and her confrontation with the film’s serial killer are both set in Ohio. Arguably the best film on this list.
A Nightmare on Elm Street
Set in the fictional town of Springwood, Ohio, Wes Craven’s seminal 1980s horror movie spawned six sequels, a slasher crossover, a less-than-stellar remake, and merchandise encompassing everything from children’s toys to replica razor gloves. Featuring cultural icon Freddy Kruger, this series combined witty one-liners with the silent serial killer gimmick, making the character the most talkative of the 80s slashers. While the series can be an exercise in diminishing returns, the original is a horror classic, Dream Warriors plays with superhero tropes at a time when Iron Man was mostly known as a heavy metal song, and New Nightmare was Craven dipping his toes into meta-commentary before meta-commentary in horror became a genre unto itself.
Honorable mention:
Zombieland and Zombieland: Double Tap
This horror-comedy franchise does not take place in Ohio, but with characters identified by their hometowns (it’s a thing – just go with it), Jesse Eisenberg’s character identifies himself as a Columbus native.




			

				





			

Suggest a Correction


	Suggest a Correction



We  would love to  say thanks to the  writer of this  write-up for this  outstanding content



10 horror movies set in Ohio

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      ["title"]=>
      string(98) "What’s on TV Saturday: ‘Caught in His Web’ on Lifetime; Winter Olympics on NBC, CNBC and USA"
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      ["description"]=>
      string(776) "The prime-time TV grid is on hiatus in print. You can find more TV coverage at: latimes.com/whats-on-tv. SERIES Rich & Shameless This new true crime anthology series set to air this summer explores cases in which great wealth led to major problems. Tonight’s sneak preview documents the scandal surrounding actress-model Pamela Anderson and Motley Crue ... Read more"
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The prime-time TV grid is on hiatus in print. You can find more TV coverage at: latimes.com/whats-on-tv. 
SERIES
Rich & Shameless This new true crime anthology series set to air this summer explores cases in which great wealth led to major problems. Tonight’s sneak preview documents the scandal surrounding actress-model Pamela Anderson and Motley Crue drummer Tommy Lee that landed them in the tabloids following the theft, public release and subsequent exploitation of a private sex tape they had made. 7:30 p.m. TNT
Big Brother: Celebrity Edition (N) 8 p.m. CBS
Great Chocolate Showdown Chef Anna Olson teaches the contestants how to use a mirror glaze technique. In the elimination round, the home bakers create a decadent dessert inspired by a bestselling treat. 8 p.m. The CW
Crikey! It’s the Irwins (N) 8 p.m. Animal Planet
48 Hours (N) 10 p.m. CBS
The Graham Norton Show Adele; Helen Mirren; Jim Broadbent; Golda Rosheuvel (“Bridgerton”); singer-songwriter George Ezra. 11 p.m. BBC America
WINTER OLYMPICS
Bobsled Two-woman teams third and final runs (tape) 6 a.m. USA
Speed skating Men’s and women’s mass start finals (tape) 9 a.m. and 6:30 p.m. USA
Men’s curling Gold medal game (tape) 10:30 a.m. USA
Biathlon, speed skating, cross-country Women’s 12.5K mass start in biathlon; men’s and women’s mass start finals in speed skating; men’s 50K race in cross-country (tape) 11:30 a.m. NBC
Women’s curling Bronze medal game (tape) 2 p.m. USA; gold medal game (live) 5 p.m. CNBC
Bobsled, figure skating Third and final runs of the two-woman events and the third and final runs of the four-man events in bobsled; the pairs free skate in figure skating (live) 5 ,11 p.m. and 2 a.m. NBC
Cross-country skiing Men’s 50K 5 p.m. USA; cross-country concludes with the women’s 30K freestyle (live) 10:30 p.m. USA
Men’s Hockey Gold Medal Pregame Show (N) 7:30 p.m. USA
Olympic coverage (tape) 8 p.m. NBC
Men’s hockey Gold medal game (live) 8:10 p.m. USA and Sunday, 2:45 a.m. USA
Figure skating Top Olympic figure skaters showcase their skills in a creative, unscored event (tape) 8:30 p.m. and 12:30 a.m. USA
SPORTS
Premier League Soccer Crystal Palace versus Chelsea, 7 a.m. USA; Manchester City versus Tottenham Hotspur, 9:30 a.m. NBC
College Basketball Hawaii visits UC Irvine, 1 p.m. SportsNet; Washington visits UCLA, 7 p.m. FS1. Also, Xavier visits Connecticut, 9 a.m. Fox; Illinois visits Michigan State, 9 a.m. ESPN; TCU visits Baylor, 9 a.m. ESPN2; Texas Tech visits Texas, 9:30 a.m. ABC; Alabama visits Kentucky, 10 a.m. CBS; Notre Dame visits Wake Forest, 10 a.m. BSSC; Ole Miss visits Georgia, 10 a.m. SEC-TV; Boston University visits Colgate, 10:30 a.m. CBSSN; Auburn visits Florida, 11 a.m. ESPN; Morgan State visits Howard, 11 a.m. ESPN2; Morgan State visits Howard, 11 a.m. TNT; Iowa visits Ohio State, 11:30 a.m. Fox; Clemson visits Louisville, Noon BSSC; Saint Louis visits Davidson, 12:30 p.m. CBSSN; LSU visits South Carolina, 12:30 p.m. SEC-TV; Tennessee visits Arkansas, 1 p.m. ESPN; North Carolina visits Virginia Tech, 1 p.m. ESPN2; Georgetown visits Villanova, 2 p.m. Fox; Utah State visits Boise State, 3 p.m. CBSSN; Florida State visits Duke, 3 p.m. ESPN; Drake visits Loyola-Chicago, 3 p.m. ESPN2; Utah visits California, 3 p.m. PAC-12TV; Texas A&M visits Vanderbilt, 3 p.m. SEC-TV; Georgia Tech visits Pittsburgh, 4 p.m. ACC-TV; Colorado State visits UNLV, 5 p.m. CBSSN; Kansas visits West Virginia, 5 p.m. ESPN; Oregon State visits Arizona State, 5 p.m. ESPN2; DePaul visits Seton Hall, 5 p.m. FS1; San Diego State visits Fresno State, 7 p.m. CBSSN; Oregon visits Arizona, 7 p.m. ESPN
Golf PGA Tour: Genesis Invitational, Third Round, 10 a.m. Golf; noon CBS
Spanish Soccer Real Madrid versus Alavés, 11:30 a.m. ABC
NHL Hockey The Kings visit the Arizona Coyotes, 6 p.m. BSW; the Ducks visit the Vancouver Canucks, 7 p.m. BSSC
SATURDAY TALK SHOWS
Good Morning America (N) 7 a.m. KABC
CBS Saturday Morning (N) 10 a.m. KCAL
Frank Buckley Interviews Directors Pedro Kos and Jon Shenk (“Lead Me Home”). (N) 11 a.m. KTLA and Sunday, 4:30 p.m. KTLAMOVIES
Disney Movies Freeform dedicates the late afternoon and evening to animated features. “The Princess and the Frog” (2009) 3:30 p.m. ; “Tangled” (2010) 5:35 p.m.; “Beauty and the Beast” (1991) 7:45 p.m. “Mulan” (1998) 9:50 p.m.; “Meet the Robinsons” (2007) 11:55 p.m.
The Wedding Veil Legacy A romantic trilogy that premiered in January concludes with a third installment starring Alison Sweeney as the last of three friends to take possession of an antique wedding veil they purchased together. Victor Webster also stars. 8 p.m. Hallmark
The King’s Man The third installment in the “Kingsman” movie franchise and a prequel to the two earlier films, Matthew Vaughn’s 2021 spy action comedy details how the Kingsman organization was born during World War I. Ralph Fiennes, Tom Hollander, Gemma Arterton, Rhys Ifans, Matthew Goode and Daniel Brühl star. 8 p.m. HBO
Caught in His Web Whoopi Goldberg is an executive producer of this new thriller inspired by actual events. The story follows three young women who are targeted by a cyberbully who has hacked into their cellphones and computers. Garcelle Beauvais, Alison Thornton, Malia Baker and Emma Tremblay star. 8 p.m. Lifetime
Spider-Man: Homecoming (2017) 8 a.m. and 4:47 p.m. Starz
Predator (1987) 8:30 a.m. Syfy
Captain Blood (1935) 9 a.m. TCM
Friday (1995) 9 a.m. and 3 p.m. VH1
Green Book (2018) 10 a.m. FX
The Hate U Give (2018) 10 a.m. FXX
Attica (2021) 10:10 a.m. Showtime
True Grit (1969) 10:15 a.m. Epix
Red Dragon (2002) 10:33 a.m. Cinemax
A Soldier’s Story (1984) 11 a.m. Ovation
Angel and the Badman (1947) 11:15 a.m. TCM
Titanic (1997) 12:10 p.m. Showtime
Three Days of the Condor (1975) 12:25 p.m. Epix
Mrs. Doubtfire (1993) 12:30 p.m. Freeform
Superbad (2007) 1 p.m. E!
Us (2019) 1 p.m. FX
The Sum of All Fears (2002) 1 p.m. Ovation
Dr. Strangelove Or: How I Learned to Stop Worrying and Love the Bomb (1964) 1:15 p.m. TCM
For Your Eyes Only (1981) 2 p.m. Sundance
Jaws (1975) 2:30 p.m. AMC
The Blind Side (2009) 2:30 and 8 p.m. MTV
3:10 to Yuma (2007) 2:35 p.m. HBO
John Wick (2014) 3 p.m. A&E
Home Alone (1990) 3 p.m. POP
Get Carter (1971) 3 p.m. TCM
Scary Movie (2000) 3 p.m. TMC
Knives Out (2019) 3:15 p.m. Syfy
Coach Carter (2005) 3:15 p.m. TBS
Gladiator (2000) 3:25 p.m. Showtime
The Other Guys (2010) 3:30 p.m. E!
The Maltese Falcon (1941) 4 p.m. KCET
Teen Titans GO! to the Movies (2018) 4:30 p.m. Cartoon Network
John Wick: Chapter 2 (2017) 5 and 10:32 p.m. A&E
Dr. No (1962) 5 and 10 p.m. Sundance
22 Jump Street (2014) 5:30 p.m. FX
Edge of Tomorrow (2014) 5:30 p.m. IFC
The Professional (1994) 5:30 p.m. Ovation
The Suicide Squad (2021) 5:42 p.m. HBO
Neighbors (2014) 6 p.m. E!
Black Panther (2018) 6 p.m. TBS
Ted (2012) 6:12 p.m. Cinemax
Harry Potter and the Sorcerer’s Stone (2001) 6:15 p.m. Syfy
Teen Titans: Trouble in Tokyo (2006) 6:30 p.m. Cartoon Network
The Shawshank Redemption (1994) 7 p.m. Bravo; 10:05 p.m. Bravo
The Defiant Ones (1958) 7 p.m. TCM
Goldfinger (1964) 7:30 p.m. Sundance
The Birdcage (1996) 8 p.m. Cinemax
Spider-Man: Far From Home (2019) 8 p.m. FX
Mad Max: Fury Road (2015) 8 p.m. IFC
A Warm December (1973) 9 p.m. TCM
Harry Potter and the Chamber of Secrets (2002) 9:45 p.m. Syfy
The 40-Year-Old Virgin (2005) 10 p.m. Cinemax
World War Z (2013) 10:05 p.m. Epix
Cry, the Beloved Country (1952) 11 p.m. TCM
Munich (2005) 11:03 p.m. Encore
American Gangster (2007) 11:29 p.m. TNT
TV NEXT WEEK 

We would like to thank the  writer of this  post for this  outstanding  material



What’s on TV Saturday: ‘Caught in His Web’ on Lifetime; Winter Olympics on NBC, CNBC and USA

"
      }
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      string(776) "The prime-time TV grid is on hiatus in print. You can find more TV coverage at: latimes.com/whats-on-tv. SERIES Rich & Shameless This new true crime anthology series set to air this summer explores cases in which great wealth led to major problems. Tonight’s sneak preview documents the scandal surrounding actress-model Pamela Anderson and Motley Crue ... Read more"
      ["atom_content"]=>
      string(9651) "

The prime-time TV grid is on hiatus in print. You can find more TV coverage at: latimes.com/whats-on-tv. 
SERIES
Rich & Shameless This new true crime anthology series set to air this summer explores cases in which great wealth led to major problems. Tonight’s sneak preview documents the scandal surrounding actress-model Pamela Anderson and Motley Crue drummer Tommy Lee that landed them in the tabloids following the theft, public release and subsequent exploitation of a private sex tape they had made. 7:30 p.m. TNT
Big Brother: Celebrity Edition (N) 8 p.m. CBS
Great Chocolate Showdown Chef Anna Olson teaches the contestants how to use a mirror glaze technique. In the elimination round, the home bakers create a decadent dessert inspired by a bestselling treat. 8 p.m. The CW
Crikey! It’s the Irwins (N) 8 p.m. Animal Planet
48 Hours (N) 10 p.m. CBS
The Graham Norton Show Adele; Helen Mirren; Jim Broadbent; Golda Rosheuvel (“Bridgerton”); singer-songwriter George Ezra. 11 p.m. BBC America
WINTER OLYMPICS
Bobsled Two-woman teams third and final runs (tape) 6 a.m. USA
Speed skating Men’s and women’s mass start finals (tape) 9 a.m. and 6:30 p.m. USA
Men’s curling Gold medal game (tape) 10:30 a.m. USA
Biathlon, speed skating, cross-country Women’s 12.5K mass start in biathlon; men’s and women’s mass start finals in speed skating; men’s 50K race in cross-country (tape) 11:30 a.m. NBC
Women’s curling Bronze medal game (tape) 2 p.m. USA; gold medal game (live) 5 p.m. CNBC
Bobsled, figure skating Third and final runs of the two-woman events and the third and final runs of the four-man events in bobsled; the pairs free skate in figure skating (live) 5 ,11 p.m. and 2 a.m. NBC
Cross-country skiing Men’s 50K 5 p.m. USA; cross-country concludes with the women’s 30K freestyle (live) 10:30 p.m. USA
Men’s Hockey Gold Medal Pregame Show (N) 7:30 p.m. USA
Olympic coverage (tape) 8 p.m. NBC
Men’s hockey Gold medal game (live) 8:10 p.m. USA and Sunday, 2:45 a.m. USA
Figure skating Top Olympic figure skaters showcase their skills in a creative, unscored event (tape) 8:30 p.m. and 12:30 a.m. USA
SPORTS
Premier League Soccer Crystal Palace versus Chelsea, 7 a.m. USA; Manchester City versus Tottenham Hotspur, 9:30 a.m. NBC
College Basketball Hawaii visits UC Irvine, 1 p.m. SportsNet; Washington visits UCLA, 7 p.m. FS1. Also, Xavier visits Connecticut, 9 a.m. Fox; Illinois visits Michigan State, 9 a.m. ESPN; TCU visits Baylor, 9 a.m. ESPN2; Texas Tech visits Texas, 9:30 a.m. ABC; Alabama visits Kentucky, 10 a.m. CBS; Notre Dame visits Wake Forest, 10 a.m. BSSC; Ole Miss visits Georgia, 10 a.m. SEC-TV; Boston University visits Colgate, 10:30 a.m. CBSSN; Auburn visits Florida, 11 a.m. ESPN; Morgan State visits Howard, 11 a.m. ESPN2; Morgan State visits Howard, 11 a.m. TNT; Iowa visits Ohio State, 11:30 a.m. Fox; Clemson visits Louisville, Noon BSSC; Saint Louis visits Davidson, 12:30 p.m. CBSSN; LSU visits South Carolina, 12:30 p.m. SEC-TV; Tennessee visits Arkansas, 1 p.m. ESPN; North Carolina visits Virginia Tech, 1 p.m. ESPN2; Georgetown visits Villanova, 2 p.m. Fox; Utah State visits Boise State, 3 p.m. CBSSN; Florida State visits Duke, 3 p.m. ESPN; Drake visits Loyola-Chicago, 3 p.m. ESPN2; Utah visits California, 3 p.m. PAC-12TV; Texas A&M visits Vanderbilt, 3 p.m. SEC-TV; Georgia Tech visits Pittsburgh, 4 p.m. ACC-TV; Colorado State visits UNLV, 5 p.m. CBSSN; Kansas visits West Virginia, 5 p.m. ESPN; Oregon State visits Arizona State, 5 p.m. ESPN2; DePaul visits Seton Hall, 5 p.m. FS1; San Diego State visits Fresno State, 7 p.m. CBSSN; Oregon visits Arizona, 7 p.m. ESPN
Golf PGA Tour: Genesis Invitational, Third Round, 10 a.m. Golf; noon CBS
Spanish Soccer Real Madrid versus Alavés, 11:30 a.m. ABC
NHL Hockey The Kings visit the Arizona Coyotes, 6 p.m. BSW; the Ducks visit the Vancouver Canucks, 7 p.m. BSSC
SATURDAY TALK SHOWS
Good Morning America (N) 7 a.m. KABC
CBS Saturday Morning (N) 10 a.m. KCAL
Frank Buckley Interviews Directors Pedro Kos and Jon Shenk (“Lead Me Home”). (N) 11 a.m. KTLA and Sunday, 4:30 p.m. KTLAMOVIES
Disney Movies Freeform dedicates the late afternoon and evening to animated features. “The Princess and the Frog” (2009) 3:30 p.m. ; “Tangled” (2010) 5:35 p.m.; “Beauty and the Beast” (1991) 7:45 p.m. “Mulan” (1998) 9:50 p.m.; “Meet the Robinsons” (2007) 11:55 p.m.
The Wedding Veil Legacy A romantic trilogy that premiered in January concludes with a third installment starring Alison Sweeney as the last of three friends to take possession of an antique wedding veil they purchased together. Victor Webster also stars. 8 p.m. Hallmark
The King’s Man The third installment in the “Kingsman” movie franchise and a prequel to the two earlier films, Matthew Vaughn’s 2021 spy action comedy details how the Kingsman organization was born during World War I. Ralph Fiennes, Tom Hollander, Gemma Arterton, Rhys Ifans, Matthew Goode and Daniel Brühl star. 8 p.m. HBO
Caught in His Web Whoopi Goldberg is an executive producer of this new thriller inspired by actual events. The story follows three young women who are targeted by a cyberbully who has hacked into their cellphones and computers. Garcelle Beauvais, Alison Thornton, Malia Baker and Emma Tremblay star. 8 p.m. Lifetime
Spider-Man: Homecoming (2017) 8 a.m. and 4:47 p.m. Starz
Predator (1987) 8:30 a.m. Syfy
Captain Blood (1935) 9 a.m. TCM
Friday (1995) 9 a.m. and 3 p.m. VH1
Green Book (2018) 10 a.m. FX
The Hate U Give (2018) 10 a.m. FXX
Attica (2021) 10:10 a.m. Showtime
True Grit (1969) 10:15 a.m. Epix
Red Dragon (2002) 10:33 a.m. Cinemax
A Soldier’s Story (1984) 11 a.m. Ovation
Angel and the Badman (1947) 11:15 a.m. TCM
Titanic (1997) 12:10 p.m. Showtime
Three Days of the Condor (1975) 12:25 p.m. Epix
Mrs. Doubtfire (1993) 12:30 p.m. Freeform
Superbad (2007) 1 p.m. E!
Us (2019) 1 p.m. FX
The Sum of All Fears (2002) 1 p.m. Ovation
Dr. Strangelove Or: How I Learned to Stop Worrying and Love the Bomb (1964) 1:15 p.m. TCM
For Your Eyes Only (1981) 2 p.m. Sundance
Jaws (1975) 2:30 p.m. AMC
The Blind Side (2009) 2:30 and 8 p.m. MTV
3:10 to Yuma (2007) 2:35 p.m. HBO
John Wick (2014) 3 p.m. A&E
Home Alone (1990) 3 p.m. POP
Get Carter (1971) 3 p.m. TCM
Scary Movie (2000) 3 p.m. TMC
Knives Out (2019) 3:15 p.m. Syfy
Coach Carter (2005) 3:15 p.m. TBS
Gladiator (2000) 3:25 p.m. Showtime
The Other Guys (2010) 3:30 p.m. E!
The Maltese Falcon (1941) 4 p.m. KCET
Teen Titans GO! to the Movies (2018) 4:30 p.m. Cartoon Network
John Wick: Chapter 2 (2017) 5 and 10:32 p.m. A&E
Dr. No (1962) 5 and 10 p.m. Sundance
22 Jump Street (2014) 5:30 p.m. FX
Edge of Tomorrow (2014) 5:30 p.m. IFC
The Professional (1994) 5:30 p.m. Ovation
The Suicide Squad (2021) 5:42 p.m. HBO
Neighbors (2014) 6 p.m. E!
Black Panther (2018) 6 p.m. TBS
Ted (2012) 6:12 p.m. Cinemax
Harry Potter and the Sorcerer’s Stone (2001) 6:15 p.m. Syfy
Teen Titans: Trouble in Tokyo (2006) 6:30 p.m. Cartoon Network
The Shawshank Redemption (1994) 7 p.m. Bravo; 10:05 p.m. Bravo
The Defiant Ones (1958) 7 p.m. TCM
Goldfinger (1964) 7:30 p.m. Sundance
The Birdcage (1996) 8 p.m. Cinemax
Spider-Man: Far From Home (2019) 8 p.m. FX
Mad Max: Fury Road (2015) 8 p.m. IFC
A Warm December (1973) 9 p.m. TCM
Harry Potter and the Chamber of Secrets (2002) 9:45 p.m. Syfy
The 40-Year-Old Virgin (2005) 10 p.m. Cinemax
World War Z (2013) 10:05 p.m. Epix
Cry, the Beloved Country (1952) 11 p.m. TCM
Munich (2005) 11:03 p.m. Encore
American Gangster (2007) 11:29 p.m. TNT
TV NEXT WEEK 

We would like to thank the  writer of this  post for this  outstanding  material



What’s on TV Saturday: ‘Caught in His Web’ on Lifetime; Winter Olympics on NBC, CNBC and USA

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      ["title"]=>
      string(36) "Best Horror Movies Directed by Women"
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      ["description"]=>
      string(586) "(Photo by Netflix/Courtesy Everett Collection) Welcome to our guide of the best-reviewed horror movies directed by women! The first directors to break ground were Stephanie Rothman in the 1970s with cult film The Velvet Vampire, and Kathryn Bigelow in the ’80s with another vampiric film, the neo-Western Near Dark. (Bigelow, of course, would go on ... Read more"
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(Photo by Netflix/Courtesy Everett Collection)
Welcome to our guide of the best-reviewed horror movies directed by women! The first directors to break ground were Stephanie Rothman in the 1970s with cult film The Velvet Vampire, and Kathryn Bigelow in the ’80s with another vampiric film, the neo-Western Near Dark. (Bigelow, of course, would go on to make further history as the first woman to win the Best Director Oscar for Zero Dark Thirty.) Still, it would take many more years for the horror space to truly open up. The ’90s, generally regarded as a weak decade for horror, had no Fresh or Certified Fresh films directed by women. The 2000s saw some pick-up with American Psycho, Amer, and In My Skin.
The 2010s were a watershed decade for horror: The genre became an engine that elevated underserved voices and adroitly exposed societal ills and terrors. Over 30 horror movies directed by women were marked Fresh and Certified Fresh in the 2010s, establishing names like Jennifer Kent (The Babadook), Issa López (Tigers Are Not Afraid), Julia Ducournau (Raw) and more. The 2020s continue strong with Leigh Janiak (Fear Street trilogy) and Nia DaCosta (Candyman). 
We’ll be adding to this list as horror continues to grow and evolve. Now, discover the best horror movies directed by women!

#49

              


              
            



Adjusted Score: 63454% 
Critics Consensus: It suffers a bit from some uneven acting and an underwhelming climax, but American Mary utilizes pitch black humor and striking visuals to deliver gory, freaky thrills for body horror enthusiasts.
Synopsis: Mary Mason (Katharine Isabelle) is lured into a world of freakish surgeries for easy money…. [More]






#48

              


              
            



Adjusted Score: 61522% 
Critics Consensus: No consensus yet.
Synopsis: When a handsome young writer falls for a gorgeous, seductive vampire, their wild romance seems destined for the ages –… [More]






#47

              


              
            



Adjusted Score: 65391% 
Critics Consensus: Nocturne‘s thought-provoking themes find themselves at odds with its genre ingredients, resulting in a mild blend that isn’t quite pulpy enough.
Synopsis: Inside the halls of an elite arts academy, a timid music student begins to outshine her more accomplished and outgoing… [More]






#46

              


              
            



Adjusted Score: 65106% 
Critics Consensus: It isn’t terribly devilish or particularly pulse-quickening, but Satanic Panic remains an entertaining midnight movie that forgiving genre enthusiasts will enjoy.
Synopsis: A minimum-wage delivery girl is forced into a night-long battle with the affluent leaders of a suburban community after discovering… [More]






#45

              


              
            



Adjusted Score: 32539% 
Critics Consensus: No consensus yet.
Synopsis: In a remote Irish village, police are called to the scene of a massacre, but they ignore the lone survivor’s… [More]






#44

              


              
            



Adjusted Score: 65806% 
Critics Consensus: No consensus yet.
Synopsis: A Parisian marketing professional, Esther (Marina de Van) has a gruesome secret. She’s been obsessed with the damage she can… [More]






#43

              


              
            



Adjusted Score: 68197% 
Critics Consensus: Shot in a single take, The Silent House may be a gimmick movie, but it’s one that’s enough to sustain dread and tension throughout.
Synopsis: Laura and her father stay in a house overnight, but a mysterious noise makes her very frightened…. [More]






#42

              


              
            



Adjusted Score: 68034% 
Critics Consensus: No consensus yet.
Synopsis: A feral teenage girl is taken into strict Catholic church care and prepared for her First Holy Communion…. [More]






#41

              


              
            



Adjusted Score: 74436% 
Critics Consensus: If it falls short of the deadly satire of Bret Easton Ellis’s novel, American Psycho still finds its own blend of horror and humor, thanks in part to a fittingly creepy performance by Christian Bale.
Synopsis: In New York City in 1987, a handsome, young urban professional, Patrick Bateman (Christian Bale), lives a second life as… [More]






#40

              


              
            



Adjusted Score: 34652% 
Critics Consensus: No consensus yet.
Synopsis: A couple becomes the target of a vampires’ seductions…. [More]






#39

              


              
            



Adjusted Score: 73062% 
Critics Consensus: XX‘s array of distinct female filmmaking voices — and the empowerment their collection represents — offer enough thrills to make up for the overall uneven quality that plagues most anthology projects.
Synopsis: Filmmakers Jovanka Vuckovic, Annie Clark, Roxanne Benjamin and Karyn Kusama present four horrific tales of terror. In “The Box,” a… [More]






#38

              


              
            



Adjusted Score: 71341% 
Critics Consensus: Nothing Bad Can Happen uses its protagonist’s punishing ordeal to pose questions about faith that are well worth considering, even if the film can’t quite answer them.
Synopsis: A pious teen (Julius Feldmeier) endures torture at the hands of a sadistic couple (Sascha Alexander Gersak, Annika Kuhl) because… [More]






#37

              


              
            



Adjusted Score: 78270% 
Critics Consensus: If its chilly sense of dread never quite becomes spine-tingling terror, Amulet remains smart, solidly disquieting fun for genre fans seeking slow-building horror.
Synopsis: Terror strikes when a former soldier takes a job to help a young woman and her housebound mother…. [More]






#36

              


              
            



Adjusted Score: 72478% 
Critics Consensus: ABCs of Death 2 delivers some inventively gory thrills, offering a surprising (albeit still somewhat uneven) upgrade over its predecessor.
Synopsis: Twenty-six filmmakers from around the globe helm stories that detail 26 ways to meet your maker, each one corresponding to… [More]






#35

              


              
            



Adjusted Score: 85329% 
Critics Consensus: Led by an impressive Riley Keough performance, The Lodge should prove a suitably unsettling destination for fans of darkly atmospheric horror.
Synopsis: During a family retreat to a remote winter cabin over the holidays, the father is forced to abruptly depart for… [More]






#34

              


              
            



Adjusted Score: 76655% 
Critics Consensus: Smart, stylish, and nail-bitingly tense, Honeymoon packs more slow-building horror than many bigger-budget productions.
Synopsis: A honeymooning bride (Rose Leslie) goes sleepwalking into the woods surrounding a secluded cabin. When she returns she looks the… [More]






#33

              


              
            



Adjusted Score: 81065% 
Critics Consensus: Berlin Syndrome offers thriller fans an uncommonly well-written descent into dangerous obsession, enlivened by taut direction and a committed performance from Teresa Palmer.
Synopsis: A disturbed teacher holds a young photographer captive in his Berlin apartment after bringing her home for a night of… [More]






#32

              


              
            



Adjusted Score: 81754% 
Critics Consensus: Sharp, twisted, and darkly funny, 12 Hour Shift is an uncommonly clever heist caper with a refreshing female-focused twist.
Synopsis: Bodies start to pile up when a drug-addicted nurse and her crazed cousin try to find a replacement kidney for… [More]






#31

              


              
            



Adjusted Score: 79299% 
Critics Consensus: No consensus yet.
Synopsis: Ana’s carnal desires define her life…. [More]






#30

              


              
            



Adjusted Score: 79619% 
Critics Consensus: Tales of Halloween boasts a number of fun scares and is overall more consistent than many horror anthology films, even if it isn’t quite as dark or nasty as the classics of the genre.
Synopsis: Ten short stories revolve around ghosts, ghouls, monsters, the devil, aliens, and ax murderers who terrorize a suburb on Halloween… [More]






#29

              


              
            



Adjusted Score: 80963% 
Critics Consensus: No consensus yet.
Synopsis: The accidental death of her rapist sets an art student on a course for justice, fueling the inspiration for her… [More]






#28

              


              
            



Adjusted Score: 81724% 
Critics Consensus: Some of its contents are more entertaining than others, but genre fans should still find this Scare Package well worth opening.
Synopsis: Seven filmmakers present seven terrifying and comedic tales of horror…. [More]






#27

              


              
            



Adjusted Score: 85158% 
Critics Consensus: Near Dark is at once a creepy vampire film, a thrilling western, and a poignant family tale, with humor and scares in abundance.
Synopsis: Cowboy Caleb Colton (Adrian Pasdar) meets gorgeous Mae (Jenny Wright) at a bar, and the two have an immediate attraction…. [More]






#26

              


              
            



Adjusted Score: 84592% 
Critics Consensus: Imperfect yet intriguing, The Wind offers horror fans an admirably ambitious story further distinguished by its fresh perspective and effective scares.
Synopsis: Lizzy is a tough, resourceful frontierswoman settling a remote stretch of land on the 19th-century American frontier. Isolated from civilization… [More]






#25

              


              
            



Adjusted Score: 81294% 
Critics Consensus: An auspicious debut for writer-director Amelia Moses, the smartly restrained Bleed with Me taps a rich vein of psychological horror.
Synopsis: Bleed With Me is a psychological horror film that explores the intersections of admiration, compulsion, and obsession. Rowan, a vulnerable… [More]






#24

              


              
            



Adjusted Score: 88293% 
Critics Consensus: Fear Street Part One: 1994 kicks off the trilogy in promising fashion, honoring the source material with plenty of retro slasher appeal.
Synopsis: After a series of brutal slayings, a teen and her friends take on an evil force that’s plagued their notorious… [More]






#23

              


              
            



Adjusted Score: 96308% 
Critics Consensus: Formally provocative and emotionally raw, She Dies Tomorrow confirms writer-director Amy Seimetz as a filmmaker with a unique — and timely — vision.
Synopsis: A woman’s conviction that she will die tomorrow spreads like a contagion through a town…. [More]






#22

              


              
            



Adjusted Score: 102217% 
Critics Consensus: Candyman takes an incisive, visually thrilling approach to deepening the franchise’s mythology — and terrifying audiences along the way.
Synopsis: For as long as residents can remember, the housing projects of Chicago’s Cabrini-Green neighborhood were terrorized by a word-of-mouth ghost… [More]






#21

              


              
            



Adjusted Score: 90775% 
Critics Consensus: Dark, violent, and drenched in dread, Goodnight Mommy is perfect for extreme horror enthusiasts — or filmgoers who prefer to watch between splayed fingers.
Synopsis: Twin boys who do everything together, from collecting beetles to feeding stray cats, welcome their mother home after her reconstructive… [More]






#20

              


              
            



Adjusted Score: 100626% 
Critics Consensus: Thrillingly provocative and original, Titane reaffirms writer-director Julia Ducournau’s delightfully disturbing vision.
Synopsis: Titane: A metal highly resistant to heat and corrosion, with high tensile strength alloys, often used in medical prostheses due… [More]






#19

              


              
            



Adjusted Score: 91943% 
Critics Consensus: Cargo takes a refreshingly character-driven approach to the zombie genre that’s further distinguished by its Australian setting and Martin Freeman’s terrific lead performance.
Synopsis: Stranded in rural Australia in the aftermath of a violent pandemic, an infected father desperately searches for a new home… [More]






#18

              


              
            



Adjusted Score: 92231% 
Critics Consensus: A smart and subversive twist on slasher horror, Fear Street Part II: 1978 shows that summer camp has never been scarier thanks to stellar performances from Sadie Sink, Emily Rudd, and Ryan Simpkins.
Synopsis: A summer of fun turns into a gruesome fight for survival as a killer terrorizes Camp Nightwing in the cursed… [More]






#17

              


              
            



Adjusted Score: 35469% 
Critics Consensus: No consensus yet.
Synopsis: A young man becomes entangled in a dangerous love triangle…. [More]






#16

              


              
            



Adjusted Score: 94442% 
Critics Consensus: The Invitation makes brilliant use of its tension-rich premise to deliver a uniquely effective — and surprisingly clever — slow-building thriller.
Synopsis: While attending a dinner party at his former house, a man (Logan Marshall-Green) starts to believe that his ex-wife (Tammy… [More]






#15

              


              
            



Adjusted Score: 96293% 
Critics Consensus: Occasionally uneven but bold and viscerally effective, Censor marks a bloody good step forward for British horror.
Synopsis: Film censor Enid takes pride in her meticulous work, guarding unsuspecting audiences from the deleterious effects of watching the gore-filled… [More]






#14

              


              
            



Adjusted Score: 91338% 
Critics Consensus: A slasher with flair and crafty patience for the kill, The Stylist marks writer-director Jill Gevargizian as an uncommonly sharp genre filmmaker.
Synopsis: We all dream of being someone else… but for Claire (Najarra Townsend, Contracted), that dream goes from an obsession to… [More]






#13

              


              
            



Adjusted Score: 93646% 
Critics Consensus: Fear Street Part Three: 1666 sends the slasher series back in time for a trilogy-concluding installment that caps things off on a screaming high note.
Synopsis: In 1666, a colonial town is gripped by a witch hunt that has deadly consequences for centuries to come, while… [More]






#12

              


              
            



Adjusted Score: 95991% 
Critics Consensus: As ambitious as it is daringly transgressive, Prevenge should thrill fans of pitch-black horror-comedy — and open untold opportunities for writer/director/star Alice Lowe.
Synopsis: A pregnant woman kills an assortment of people…. [More]






#11

              


              
            



Adjusted Score: 102001% 
Critics Consensus: A brilliantly unsettling blend of body horror and psychological thriller, Saint Maud marks an impressive debut for writer-director Rose Glass.
Synopsis: The debut film from writer-director Rose Glass, Saint Maud is a chilling and boldly original vision of faith, madness, and… [More]






#10

              


              
            



Adjusted Score: 107072% 
Critics Consensus: Raw‘s lurid violence and sexuality live up to its title, but they’re anchored with an immersive atmosphere and deep symbolism that linger long after the provocative visuals fade.
Synopsis: Stringent vegetarian Justine (Garance Marillier) encounters a decadent, merciless and dangerously seductive world during her first week at veterinary school…. [More]






#9

              


              
            



Adjusted Score: 107636% 
Critics Consensus: Relic ratchets up its slowly building tension in an expertly crafted atmosphere of dread, adding up to an outstanding feature debut for director/co-writer Natalie Erika James.
Synopsis: A woman links her mother’s increasingly volatile behavior to an evil presence at their family’s decaying country home…. [More]






#8

              


              
            



Adjusted Score: 93178% 
Critics Consensus: No consensus yet.
Synopsis: When he wakes up after a car accident and doesn’t have a memory, a man makes his way into town… [More]






#7

              


              
            



Adjusted Score: 100675% 
Critics Consensus: Revenge slices and dices genre tropes, working within an exploitation framework while adding a timely — yet never less than viscerally thrilling — feminist spin.
Synopsis: Jen is enjoying a romantic getaway with her wealthy boyfriend — until his two sleazy friends arrive for an unannounced… [More]






#6

              


              
            



Adjusted Score: 95777% 
Critics Consensus: Most Beautiful Island plunges audiences into a little-seen sector of society, with writer-director Ana Asensio’s fearless performance leading the way.
Synopsis: An illegal immigrant struggling to begin a new life in New York City is offered a great opportunity, but as… [More]






#5

              


              
            



Adjusted Score: 100519% 
Critics Consensus: The Love Witch offers an absorbing visual homage to a bygone era, arranged subtly in service of a thought-provoking meditation on the battle of the sexes.
Synopsis: Elaine (Samantha Robinson), a beautiful young witch, is determined to find a man to love her. In her gothic Victorian… [More]






#4

              


              
            



Adjusted Score: 97020% 
Critics Consensus: Good Manners adroitly juggles disparate tonal shifts while taking a uniquely smart and sensitive look at female relationships.
Synopsis: A mysterious and wealthy woman hires a lonely nurse named Clara to be the nanny of her soon-to-be born child…. [More]






#3

              


              
            



Adjusted Score: 101048% 
Critics Consensus: A Girl Walks Home Alone at Night blends conventional elements into something brilliantly original — and serves as a striking calling card for writer-director Ana Lily Amirpour.
Synopsis: Residents of a worn-down Iranian city encounter a skateboarding vampire (Sheila Vand) who preys on men who disrespect women…. [More]






#2

              


              
            



Adjusted Score: 103547% 
Critics Consensus: Tigers Are Not Afraid draws on childhood trauma for a story that deftly blends magical fantasy and hard-hitting realism – and leaves a lingering impact.
Synopsis: When a girl’s mother disappears leaving her on her own, she goings a gang of street children, leading to a… [More]






#1

              


              
            



Adjusted Score: 106841% 
Critics Consensus: The Babadook relies on real horror rather than cheap jump scares — and boasts a heartfelt, genuinely moving story to boot.
Synopsis: A troubled widow (Essie Davis) discovers that her son is telling the truth about a monster that entered their home… [More]





We  would love to  say thanks to the  writer of this article for this  incredible  material



Best Horror Movies Directed by Women

"
      }
      ["summary"]=>
      string(586) "(Photo by Netflix/Courtesy Everett Collection) Welcome to our guide of the best-reviewed horror movies directed by women! The first directors to break ground were Stephanie Rothman in the 1970s with cult film The Velvet Vampire, and Kathryn Bigelow in the ’80s with another vampiric film, the neo-Western Near Dark. (Bigelow, of course, would go on ... Read more"
      ["atom_content"]=>
      string(86007) "

(Photo by Netflix/Courtesy Everett Collection)
Welcome to our guide of the best-reviewed horror movies directed by women! The first directors to break ground were Stephanie Rothman in the 1970s with cult film The Velvet Vampire, and Kathryn Bigelow in the ’80s with another vampiric film, the neo-Western Near Dark. (Bigelow, of course, would go on to make further history as the first woman to win the Best Director Oscar for Zero Dark Thirty.) Still, it would take many more years for the horror space to truly open up. The ’90s, generally regarded as a weak decade for horror, had no Fresh or Certified Fresh films directed by women. The 2000s saw some pick-up with American Psycho, Amer, and In My Skin.
The 2010s were a watershed decade for horror: The genre became an engine that elevated underserved voices and adroitly exposed societal ills and terrors. Over 30 horror movies directed by women were marked Fresh and Certified Fresh in the 2010s, establishing names like Jennifer Kent (The Babadook), Issa López (Tigers Are Not Afraid), Julia Ducournau (Raw) and more. The 2020s continue strong with Leigh Janiak (Fear Street trilogy) and Nia DaCosta (Candyman). 
We’ll be adding to this list as horror continues to grow and evolve. Now, discover the best horror movies directed by women!

#49

              


              
            



Adjusted Score: 63454% 
Critics Consensus: It suffers a bit from some uneven acting and an underwhelming climax, but American Mary utilizes pitch black humor and striking visuals to deliver gory, freaky thrills for body horror enthusiasts.
Synopsis: Mary Mason (Katharine Isabelle) is lured into a world of freakish surgeries for easy money…. [More]






#48

              


              
            



Adjusted Score: 61522% 
Critics Consensus: No consensus yet.
Synopsis: When a handsome young writer falls for a gorgeous, seductive vampire, their wild romance seems destined for the ages –… [More]






#47

              


              
            



Adjusted Score: 65391% 
Critics Consensus: Nocturne‘s thought-provoking themes find themselves at odds with its genre ingredients, resulting in a mild blend that isn’t quite pulpy enough.
Synopsis: Inside the halls of an elite arts academy, a timid music student begins to outshine her more accomplished and outgoing… [More]






#46

              


              
            



Adjusted Score: 65106% 
Critics Consensus: It isn’t terribly devilish or particularly pulse-quickening, but Satanic Panic remains an entertaining midnight movie that forgiving genre enthusiasts will enjoy.
Synopsis: A minimum-wage delivery girl is forced into a night-long battle with the affluent leaders of a suburban community after discovering… [More]






#45

              


              
            



Adjusted Score: 32539% 
Critics Consensus: No consensus yet.
Synopsis: In a remote Irish village, police are called to the scene of a massacre, but they ignore the lone survivor’s… [More]






#44

              


              
            



Adjusted Score: 65806% 
Critics Consensus: No consensus yet.
Synopsis: A Parisian marketing professional, Esther (Marina de Van) has a gruesome secret. She’s been obsessed with the damage she can… [More]






#43

              


              
            



Adjusted Score: 68197% 
Critics Consensus: Shot in a single take, The Silent House may be a gimmick movie, but it’s one that’s enough to sustain dread and tension throughout.
Synopsis: Laura and her father stay in a house overnight, but a mysterious noise makes her very frightened…. [More]






#42

              


              
            



Adjusted Score: 68034% 
Critics Consensus: No consensus yet.
Synopsis: A feral teenage girl is taken into strict Catholic church care and prepared for her First Holy Communion…. [More]






#41

              


              
            



Adjusted Score: 74436% 
Critics Consensus: If it falls short of the deadly satire of Bret Easton Ellis’s novel, American Psycho still finds its own blend of horror and humor, thanks in part to a fittingly creepy performance by Christian Bale.
Synopsis: In New York City in 1987, a handsome, young urban professional, Patrick Bateman (Christian Bale), lives a second life as… [More]






#40

              


              
            



Adjusted Score: 34652% 
Critics Consensus: No consensus yet.
Synopsis: A couple becomes the target of a vampires’ seductions…. [More]






#39

              


              
            



Adjusted Score: 73062% 
Critics Consensus: XX‘s array of distinct female filmmaking voices — and the empowerment their collection represents — offer enough thrills to make up for the overall uneven quality that plagues most anthology projects.
Synopsis: Filmmakers Jovanka Vuckovic, Annie Clark, Roxanne Benjamin and Karyn Kusama present four horrific tales of terror. In “The Box,” a… [More]






#38

              


              
            



Adjusted Score: 71341% 
Critics Consensus: Nothing Bad Can Happen uses its protagonist’s punishing ordeal to pose questions about faith that are well worth considering, even if the film can’t quite answer them.
Synopsis: A pious teen (Julius Feldmeier) endures torture at the hands of a sadistic couple (Sascha Alexander Gersak, Annika Kuhl) because… [More]






#37

              


              
            



Adjusted Score: 78270% 
Critics Consensus: If its chilly sense of dread never quite becomes spine-tingling terror, Amulet remains smart, solidly disquieting fun for genre fans seeking slow-building horror.
Synopsis: Terror strikes when a former soldier takes a job to help a young woman and her housebound mother…. [More]






#36

              


              
            



Adjusted Score: 72478% 
Critics Consensus: ABCs of Death 2 delivers some inventively gory thrills, offering a surprising (albeit still somewhat uneven) upgrade over its predecessor.
Synopsis: Twenty-six filmmakers from around the globe helm stories that detail 26 ways to meet your maker, each one corresponding to… [More]






#35

              


              
            



Adjusted Score: 85329% 
Critics Consensus: Led by an impressive Riley Keough performance, The Lodge should prove a suitably unsettling destination for fans of darkly atmospheric horror.
Synopsis: During a family retreat to a remote winter cabin over the holidays, the father is forced to abruptly depart for… [More]






#34

              


              
            



Adjusted Score: 76655% 
Critics Consensus: Smart, stylish, and nail-bitingly tense, Honeymoon packs more slow-building horror than many bigger-budget productions.
Synopsis: A honeymooning bride (Rose Leslie) goes sleepwalking into the woods surrounding a secluded cabin. When she returns she looks the… [More]






#33

              


              
            



Adjusted Score: 81065% 
Critics Consensus: Berlin Syndrome offers thriller fans an uncommonly well-written descent into dangerous obsession, enlivened by taut direction and a committed performance from Teresa Palmer.
Synopsis: A disturbed teacher holds a young photographer captive in his Berlin apartment after bringing her home for a night of… [More]






#32

              


              
            



Adjusted Score: 81754% 
Critics Consensus: Sharp, twisted, and darkly funny, 12 Hour Shift is an uncommonly clever heist caper with a refreshing female-focused twist.
Synopsis: Bodies start to pile up when a drug-addicted nurse and her crazed cousin try to find a replacement kidney for… [More]






#31

              


              
            



Adjusted Score: 79299% 
Critics Consensus: No consensus yet.
Synopsis: Ana’s carnal desires define her life…. [More]






#30

              


              
            



Adjusted Score: 79619% 
Critics Consensus: Tales of Halloween boasts a number of fun scares and is overall more consistent than many horror anthology films, even if it isn’t quite as dark or nasty as the classics of the genre.
Synopsis: Ten short stories revolve around ghosts, ghouls, monsters, the devil, aliens, and ax murderers who terrorize a suburb on Halloween… [More]






#29

              


              
            



Adjusted Score: 80963% 
Critics Consensus: No consensus yet.
Synopsis: The accidental death of her rapist sets an art student on a course for justice, fueling the inspiration for her… [More]






#28

              


              
            



Adjusted Score: 81724% 
Critics Consensus: Some of its contents are more entertaining than others, but genre fans should still find this Scare Package well worth opening.
Synopsis: Seven filmmakers present seven terrifying and comedic tales of horror…. [More]






#27

              


              
            



Adjusted Score: 85158% 
Critics Consensus: Near Dark is at once a creepy vampire film, a thrilling western, and a poignant family tale, with humor and scares in abundance.
Synopsis: Cowboy Caleb Colton (Adrian Pasdar) meets gorgeous Mae (Jenny Wright) at a bar, and the two have an immediate attraction…. [More]






#26

              


              
            



Adjusted Score: 84592% 
Critics Consensus: Imperfect yet intriguing, The Wind offers horror fans an admirably ambitious story further distinguished by its fresh perspective and effective scares.
Synopsis: Lizzy is a tough, resourceful frontierswoman settling a remote stretch of land on the 19th-century American frontier. Isolated from civilization… [More]






#25

              


              
            



Adjusted Score: 81294% 
Critics Consensus: An auspicious debut for writer-director Amelia Moses, the smartly restrained Bleed with Me taps a rich vein of psychological horror.
Synopsis: Bleed With Me is a psychological horror film that explores the intersections of admiration, compulsion, and obsession. Rowan, a vulnerable… [More]






#24

              


              
            



Adjusted Score: 88293% 
Critics Consensus: Fear Street Part One: 1994 kicks off the trilogy in promising fashion, honoring the source material with plenty of retro slasher appeal.
Synopsis: After a series of brutal slayings, a teen and her friends take on an evil force that’s plagued their notorious… [More]






#23

              


              
            



Adjusted Score: 96308% 
Critics Consensus: Formally provocative and emotionally raw, She Dies Tomorrow confirms writer-director Amy Seimetz as a filmmaker with a unique — and timely — vision.
Synopsis: A woman’s conviction that she will die tomorrow spreads like a contagion through a town…. [More]






#22

              


              
            



Adjusted Score: 102217% 
Critics Consensus: Candyman takes an incisive, visually thrilling approach to deepening the franchise’s mythology — and terrifying audiences along the way.
Synopsis: For as long as residents can remember, the housing projects of Chicago’s Cabrini-Green neighborhood were terrorized by a word-of-mouth ghost… [More]






#21

              


              
            



Adjusted Score: 90775% 
Critics Consensus: Dark, violent, and drenched in dread, Goodnight Mommy is perfect for extreme horror enthusiasts — or filmgoers who prefer to watch between splayed fingers.
Synopsis: Twin boys who do everything together, from collecting beetles to feeding stray cats, welcome their mother home after her reconstructive… [More]






#20

              


              
            



Adjusted Score: 100626% 
Critics Consensus: Thrillingly provocative and original, Titane reaffirms writer-director Julia Ducournau’s delightfully disturbing vision.
Synopsis: Titane: A metal highly resistant to heat and corrosion, with high tensile strength alloys, often used in medical prostheses due… [More]






#19

              


              
            



Adjusted Score: 91943% 
Critics Consensus: Cargo takes a refreshingly character-driven approach to the zombie genre that’s further distinguished by its Australian setting and Martin Freeman’s terrific lead performance.
Synopsis: Stranded in rural Australia in the aftermath of a violent pandemic, an infected father desperately searches for a new home… [More]






#18

              


              
            



Adjusted Score: 92231% 
Critics Consensus: A smart and subversive twist on slasher horror, Fear Street Part II: 1978 shows that summer camp has never been scarier thanks to stellar performances from Sadie Sink, Emily Rudd, and Ryan Simpkins.
Synopsis: A summer of fun turns into a gruesome fight for survival as a killer terrorizes Camp Nightwing in the cursed… [More]






#17

              


              
            



Adjusted Score: 35469% 
Critics Consensus: No consensus yet.
Synopsis: A young man becomes entangled in a dangerous love triangle…. [More]






#16

              


              
            



Adjusted Score: 94442% 
Critics Consensus: The Invitation makes brilliant use of its tension-rich premise to deliver a uniquely effective — and surprisingly clever — slow-building thriller.
Synopsis: While attending a dinner party at his former house, a man (Logan Marshall-Green) starts to believe that his ex-wife (Tammy… [More]






#15

              


              
            



Adjusted Score: 96293% 
Critics Consensus: Occasionally uneven but bold and viscerally effective, Censor marks a bloody good step forward for British horror.
Synopsis: Film censor Enid takes pride in her meticulous work, guarding unsuspecting audiences from the deleterious effects of watching the gore-filled… [More]






#14

              


              
            



Adjusted Score: 91338% 
Critics Consensus: A slasher with flair and crafty patience for the kill, The Stylist marks writer-director Jill Gevargizian as an uncommonly sharp genre filmmaker.
Synopsis: We all dream of being someone else… but for Claire (Najarra Townsend, Contracted), that dream goes from an obsession to… [More]






#13

              


              
            



Adjusted Score: 93646% 
Critics Consensus: Fear Street Part Three: 1666 sends the slasher series back in time for a trilogy-concluding installment that caps things off on a screaming high note.
Synopsis: In 1666, a colonial town is gripped by a witch hunt that has deadly consequences for centuries to come, while… [More]






#12

              


              
            



Adjusted Score: 95991% 
Critics Consensus: As ambitious as it is daringly transgressive, Prevenge should thrill fans of pitch-black horror-comedy — and open untold opportunities for writer/director/star Alice Lowe.
Synopsis: A pregnant woman kills an assortment of people…. [More]






#11

              


              
            



Adjusted Score: 102001% 
Critics Consensus: A brilliantly unsettling blend of body horror and psychological thriller, Saint Maud marks an impressive debut for writer-director Rose Glass.
Synopsis: The debut film from writer-director Rose Glass, Saint Maud is a chilling and boldly original vision of faith, madness, and… [More]






#10

              


              
            



Adjusted Score: 107072% 
Critics Consensus: Raw‘s lurid violence and sexuality live up to its title, but they’re anchored with an immersive atmosphere and deep symbolism that linger long after the provocative visuals fade.
Synopsis: Stringent vegetarian Justine (Garance Marillier) encounters a decadent, merciless and dangerously seductive world during her first week at veterinary school…. [More]






#9

              


              
            



Adjusted Score: 107636% 
Critics Consensus: Relic ratchets up its slowly building tension in an expertly crafted atmosphere of dread, adding up to an outstanding feature debut for director/co-writer Natalie Erika James.
Synopsis: A woman links her mother’s increasingly volatile behavior to an evil presence at their family’s decaying country home…. [More]






#8

              


              
            



Adjusted Score: 93178% 
Critics Consensus: No consensus yet.
Synopsis: When he wakes up after a car accident and doesn’t have a memory, a man makes his way into town… [More]






#7

              


              
            



Adjusted Score: 100675% 
Critics Consensus: Revenge slices and dices genre tropes, working within an exploitation framework while adding a timely — yet never less than viscerally thrilling — feminist spin.
Synopsis: Jen is enjoying a romantic getaway with her wealthy boyfriend — until his two sleazy friends arrive for an unannounced… [More]






#6

              


              
            



Adjusted Score: 95777% 
Critics Consensus: Most Beautiful Island plunges audiences into a little-seen sector of society, with writer-director Ana Asensio’s fearless performance leading the way.
Synopsis: An illegal immigrant struggling to begin a new life in New York City is offered a great opportunity, but as… [More]






#5

              


              
            



Adjusted Score: 100519% 
Critics Consensus: The Love Witch offers an absorbing visual homage to a bygone era, arranged subtly in service of a thought-provoking meditation on the battle of the sexes.
Synopsis: Elaine (Samantha Robinson), a beautiful young witch, is determined to find a man to love her. In her gothic Victorian… [More]






#4

              


              
            



Adjusted Score: 97020% 
Critics Consensus: Good Manners adroitly juggles disparate tonal shifts while taking a uniquely smart and sensitive look at female relationships.
Synopsis: A mysterious and wealthy woman hires a lonely nurse named Clara to be the nanny of her soon-to-be born child…. [More]






#3

              


              
            



Adjusted Score: 101048% 
Critics Consensus: A Girl Walks Home Alone at Night blends conventional elements into something brilliantly original — and serves as a striking calling card for writer-director Ana Lily Amirpour.
Synopsis: Residents of a worn-down Iranian city encounter a skateboarding vampire (Sheila Vand) who preys on men who disrespect women…. [More]






#2

              


              
            



Adjusted Score: 103547% 
Critics Consensus: Tigers Are Not Afraid draws on childhood trauma for a story that deftly blends magical fantasy and hard-hitting realism – and leaves a lingering impact.
Synopsis: When a girl’s mother disappears leaving her on her own, she goings a gang of street children, leading to a… [More]






#1

              


              
            



Adjusted Score: 106841% 
Critics Consensus: The Babadook relies on real horror rather than cheap jump scares — and boasts a heartfelt, genuinely moving story to boot.
Synopsis: A troubled widow (Essie Davis) discovers that her son is telling the truth about a monster that entered their home… [More]





We  would love to  say thanks to the  writer of this article for this  incredible  material



Best Horror Movies Directed by Women

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To make a truly iconic horror film – one that becomes part of the wider cultural fabric, while still being beloved by genre die-hards – you need to get so many things right. You need a killer concept, something so hooky, so smart but simple, that it instantly takes purchase – like the dream-battlegrounds of A Nightmare On Elm Street, or the ‘you watch the tape, and then you die’ conceit of Ring. You need an image that burns its way into the public consciousness and transcends its origins – like a pair of ghost-girl twins standing in a hallway, or a knife-wielding boogeyman in an inside-out William Shatner mask. You need a properly great protagonist to root for – one who’ll linger as long in the memory as the forces of evil they’re battling, like an Ash or a Laurie Strode. And finally, you need an all-timer villain able to strike true fear, turning real-life horrors into something heightened and cinematic – a Ghostface, or a Xenomorph, or a Pennywise.
Get Out has it all. With his directorial debut, Jordan Peele created something that instantly felt like A Moment as well as a movie. He got that killer concept down – a Black American man uncovers all-new levels of appropriation when visiting his white girlfriend’s parents. He served up all kinds of indelible images – Daniel Kaluuya’s hypnotised Chris with his eyes wide and tears pouring down his cheeks as Catherine Keener’s Missy puts him under her influence; his inky descent into the Sunken Place; LaKeith Stanfield’s Andre and his horrified expression having briefly snapped back to reality at the family gathering; Allison Williams’ Rose eating her Fruit Loops separately from her milk. He gave us one of the most empathetic horror leads in years, Kaluuya bringing so much charm to Chris, while also portraying his world-weariness when Rose is apparently oblivious to the discomfort he knows he’ll experience over the course of their visit.
And when it came to horror villains, Peele did not hold back: with the Armitage family, he took aim at white, seemingly-liberal America (“I would have voted for Obama for a third time if I could” is as painful as it is hilarious) and the festering racism that still lies underneath it all. He identifies a nation that wants to commodify Black bodies, culture and talent, but that doesn’t care about Black lives – picking at real scars through a moviefied lens of brainwashing, body-swapping, possession, and torture.
The thematic preoccupations of Get Out run deep – it’s a film that taps into a vein of political consciousness in horror running all the way back through to Romero’s original Night Of The Living Dead. But as a movie-movie – a Friday night, grab-the-popcorn horror – it works brilliantly too, full of satirical wit, crowdpleasing moments (“I’m TS-motherfuckin’-A”), hypnotic setpieces, and delivering a blood-soaked rampage in the final reel. It’s a searing, supremely entertaining, seriously impressive work sure to go down in the halls of horror history – and, in a rare move, even the Academy agreed, with a Best Original Screenplay win, and nominations for Best Picture, Best Director and Best Actor. Get in. – BT
Read the Empire review.

We  wish to thank the  writer of this  write-up for this  incredible  web content



The 50 Best Horror Movies Of The 21st Century

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      string(577) "To make a truly iconic horror film – one that becomes part of the wider cultural fabric, while still being beloved by genre die-hards – you need to get so many things right. You need a killer concept, something so hooky, so smart but simple, that it instantly takes purchase – like the dream-battlegrounds of ... Read more"
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To make a truly iconic horror film – one that becomes part of the wider cultural fabric, while still being beloved by genre die-hards – you need to get so many things right. You need a killer concept, something so hooky, so smart but simple, that it instantly takes purchase – like the dream-battlegrounds of A Nightmare On Elm Street, or the ‘you watch the tape, and then you die’ conceit of Ring. You need an image that burns its way into the public consciousness and transcends its origins – like a pair of ghost-girl twins standing in a hallway, or a knife-wielding boogeyman in an inside-out William Shatner mask. You need a properly great protagonist to root for – one who’ll linger as long in the memory as the forces of evil they’re battling, like an Ash or a Laurie Strode. And finally, you need an all-timer villain able to strike true fear, turning real-life horrors into something heightened and cinematic – a Ghostface, or a Xenomorph, or a Pennywise.
Get Out has it all. With his directorial debut, Jordan Peele created something that instantly felt like A Moment as well as a movie. He got that killer concept down – a Black American man uncovers all-new levels of appropriation when visiting his white girlfriend’s parents. He served up all kinds of indelible images – Daniel Kaluuya’s hypnotised Chris with his eyes wide and tears pouring down his cheeks as Catherine Keener’s Missy puts him under her influence; his inky descent into the Sunken Place; LaKeith Stanfield’s Andre and his horrified expression having briefly snapped back to reality at the family gathering; Allison Williams’ Rose eating her Fruit Loops separately from her milk. He gave us one of the most empathetic horror leads in years, Kaluuya bringing so much charm to Chris, while also portraying his world-weariness when Rose is apparently oblivious to the discomfort he knows he’ll experience over the course of their visit.
And when it came to horror villains, Peele did not hold back: with the Armitage family, he took aim at white, seemingly-liberal America (“I would have voted for Obama for a third time if I could” is as painful as it is hilarious) and the festering racism that still lies underneath it all. He identifies a nation that wants to commodify Black bodies, culture and talent, but that doesn’t care about Black lives – picking at real scars through a moviefied lens of brainwashing, body-swapping, possession, and torture.
The thematic preoccupations of Get Out run deep – it’s a film that taps into a vein of political consciousness in horror running all the way back through to Romero’s original Night Of The Living Dead. But as a movie-movie – a Friday night, grab-the-popcorn horror – it works brilliantly too, full of satirical wit, crowdpleasing moments (“I’m TS-motherfuckin’-A”), hypnotic setpieces, and delivering a blood-soaked rampage in the final reel. It’s a searing, supremely entertaining, seriously impressive work sure to go down in the halls of horror history – and, in a rare move, even the Academy agreed, with a Best Original Screenplay win, and nominations for Best Picture, Best Director and Best Actor. Get in. – BT
Read the Empire review.

We  wish to thank the  writer of this  write-up for this  incredible  web content



The 50 Best Horror Movies Of The 21st Century

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      string(710) "The Texas Chainsaw Massacre franchise roars back to life with a brand new movie on Netflix this week, but that’s not the only new horror movie on the horizon this week. In addition to Leatherface’s return as well as the return of AMC’s “The Walking Dead,” several new horror movies are releasing this week. As ... Read more"
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The Texas Chainsaw Massacre franchise roars back to life with a brand new movie on Netflix this week, but that’s not the only new horror movie on the horizon this week.
In addition to Leatherface’s return as well as the return of AMC’s “The Walking Dead,” several new horror movies are releasing this week. As always, we’ve got the rundown.
Here’s all the new horror releasing February 15-20, 2022!

First up, Here Before is now available on VOD outlets today, a mind-bending nightmare from director Stacey Gregg that stars Andrea Riseborough (Mandy, Possessor).
In the film, “Andrea Riseborough is spellbinding as the distraught mother, haunted by the death of her young daughter, who develops an all-consuming obsession over the neighbor’s girl who she believes is the reincarnation of her child.
“When new neighbors move in, Laura (Riseborough) is awakened from her mundane daily routine of errands and exercise. She becomes transfixed by their young daughter, Megan (Niamh Dornan). Megan’s parents Marie (Eileen O’Higgins) and Chris (Martin McCann) initially don’t seem to mind as Laura offers Megan a ride home from school and an invitation to dinner.
“Her husband Brendon (Jonjo O’Neill) grows concerned as his wife’s infatuation with the young girl spirals into increasingly erratic behavior. Eerily, Megan seemingly knows far too many specific details of their family life and displays similar mannerisms of their dead daughter.
“Is the trauma of losing her child causing Laura to lose grip on reality, or is Megan truly the reincarnation of her daughter?”



It’s not new, per se, but all 44 episodes of the 1980s anthology series “Freddy’s Nightmares” are now streaming for the very first time as of today, exclusively through Screambox!
Based on one of horror’s most storied franchises, “Freddy’s Nightmares” is an anthology series starring the original Freddy Krueger, Robert Englund. Airing from 1988 to 1990, each episode tells a different story of a dark rooted and grim nature that takes place in this fictitious town on Elm Street; the same setting as the A Nightmare on Elm Street films.
Of particular note, the pilot episode, “No More Mr. Nice Guy”, acts as a prequel to Wes Craven’s A Nightmare on Elm Street (1984) and was directed by the late Tobe Hooper (The Texas Chain Saw Massacre, Poltergeist). Other notable filmmakers include Mick Garris (Critters 2, Sleepwalkers), William Malone (Scared to Death, Creature, House on Haunted Hill), and Tom McLoughlin (Friday the 13th Part VI: Jason Lives). Robert Englund directed the episodes “Cabin Fever” and “Monkey Dreams”.
Visit www.screambox.com to start streaming “Freddy’s Nightmares” now!


Looking similar to Warm Bodies, Zombae is the next horror-comedy to explore a relationship between a human and a zombie, and it’s available today through VOD outlets.
In Zombae, “What is a woman to do in the current dating climate? When a suburban housewife discovers that her husband has become a zombie with an appetite for human flesh, she must decide whether to stay in the marriage or wade into the dating pool. As she dips her toe in, she soon finds that the men out there are even worse than her zombie husband! With a little help from her best friend, she decides to make it work – no matter what.”
From director Greg Zekowski (“Ryan’s Mystery Playdate”), the horror-comedy stars Ian Alda (“Dave”), Marieh Delfino (The Invitation), Gina Hecht (“Seinfeld”), Gabe Greenspan (“Wayward Guide”), and Clint Carmichael (“Why Women Kill”).



Jumping over to Thursday, February 17, Shudder’s brand new paranormal horror movie They Live in the Grey will be available, written and directed by Burlee and Abel Vang (Bedeviled).
“Michelle Krusiec plays Claire who, while investigating a child abuse case, discovers that the family is being tormented by a supernatural entity. In order to save the family, she must confront her own fears and use her emerging clairvoyance to stop the malevolent force.”
They Live in the Grey also stars Ken Kirby (Good Trouble, Dynasty), Ellen Wroe (For All Mankind, Shameless), and Madelyn Grace (Don’t Breathe 2).



The biggest new release for the week is of course Netflix’s Texas Chainsaw Massacre, a sequel to the original classic that slices its way into Netflix this Friday, February 18th.
David Blue Garcia (Tejano) directed the movie, written by Chris Thomas Devlin.
“After nearly 50 years of hiding, Leatherface returns to terrorize a group of idealistic young friends who accidentally disrupt his carefully shielded world in a remote Texas town.”
“Melody (Sarah Yarkin), her teenage sister Lila (Elsie Fisher), and their friends Dante (Jacob Latimore) and Ruth (Nell Hudson), head to the remote town of Harlow, Texas to start an idealistic new business venture. But their dream soon turns into a waking nightmare when they accidentally disrupt the home of Leatherface, the deranged serial killer whose blood-soaked legacy continues to haunt the area’s residents — including Sally Hardesty (Olwen Fouéré), the sole survivor of his infamous 1973 massacre who’s hell-bent on seeking revenge.”
Mark Burnham (Lowlife) is Old Man Leatherface in Netflix’s Texas Chainsaw Massacre.



Also on Friday, new werewolf horror movie The Cursed (formerly titled Eight for Silver) will be releasing, although this one will only be playing in movie theaters for now.
The film is said to be a “reimagining of the werewolf legend for a modern-day audience.”
In The Cursed, written and directed by Sean Ellis, “In the late 1800s, a man arrives in a remote country village to investigate an attack by a wild animal but discovers a much deeper and sinister force that has the manor and its townspeople in its grip.”
Boyd Holbrook, Kelly Reilly, and Alistair Petrie star.



District 9 star Sharlto Copley is Ted Kaczynski in the “Unabomber” movie Ted K, a true crime thriller that comes to select theaters and VOD outlets this Friday, February 18th.
Ted K was directed by Tony Stone. The film is said to feature “a tour-de-force performance from Sharlto Copley, who portrays the complexity of this unique outsider, raging at the forces of both the inescapable technological society that plagues him and his own inner demons.”
“Ted K lives a life of almost complete seclusion in a simple wooden cabin in the mountains of Montana. But then this former university professor, who despises modern society and its faith in technology, becomes radicalized. What begins with local acts of sabotage, ends with deadly bomb attacks. To the outside world, Ted K becomes known as the Unabomber.
“Based on Ted Kaczynski’s diaries and writings, Tony Stone’s film is a kaleidoscopic true crime journey into the life of one of America’s most complex and eccentric killers.”



Adam Scott, Patricia Arquette, Christopher Walken, and John Turturro star in the new Apple TV+ thriller series “Severance,” directed by Ben Stiller and arriving this Friday.
From director and executive producer Ben Stiller (“Escape at Dannemora,” “Tropic Thunder”), and creator Dan Erickson, “Severance” will launch globally on Apple TV+ with the first two episodes on February 18, 2022, followed by new weekly installments every Friday.
In “Severance”… Mark Scout (Adam Scott) leads a team at Lumon Industries, whose employees have undergone a severance procedure, which surgically divides their memories between their work and personal lives. This daring experiment in ‘work-life balance’ is called into question as Mark finds himself at the center of an unraveling mystery that will force him to confront the true nature of his work… and of himself.  



After premiering at the Toronto International Film Festival last fall, IFC Midnight is bringing first-time filmmaker Ruth Paxton‘s A Banquet to theaters and VOD platforms on Friday.
Described as “a slow-burning psychological horror that layers apocalyptic elements underneath familial tensions of three generations of mothers and daughters,” A Banquet is coming to select theaters and on digital platforms February 18.
“Widowed mother Holly (Sienna Guillory) is radically tested when her teenage daughter Betsey (Jessica Alexander) experiences a profound enlightenment and insists that her body is no longer her own, but in service to a higher power. Bound to her newfound faith, Betsey refuses to eat but loses no weight. In an agonizing dilemma, torn between love and fear, Holly is forced to confront the boundaries of her own beliefs.” Ruby Stokes and Lindsay Duncan also star.



The final new horror release for this jam-packed Friday is Cinedigm’s Incarnation, which is set to unleash the demon known as Mammon. Starring Taye Diggs, Jessica Uberuaga and Michael Madsen, Cinedigm’s Incarnation will arrive In Theaters and on VOD February 18.
“A throwback to the popular haunted house sub-genre, Incarnation centers around a young couple chasing the American dream. Brad (Diggs) and Jess (Uberuaga) move to Los Angeles in search of a better life. When they stumble upon a hidden real estate gem, managed by the laid-back landlord Peter (Madsen), they are elated by their turn of fortune. But their ideal home is hiding a secret far more sinister than they could have ever imagined, for the very walls are alive with an ancient evil, and they soon learn that greed comes with a hefty price.”
Incarnation was co-written and directed by Isaac Walsh.



Sunday, February 20th is all about horror on the small screen. For starters, AMC’s “The Walking Dead” is back with new episodes, the second chapter in their 3-part final season.
Eight brand new episodes will be part of this second chapter.
This Sunday, The Walking Dead returns with many of our heroes fighting imminent hellfire under Reaper attack; while others battle Mother Nature’s torrential wrath in Alexandria. For all, their world is literally crashing down around them. Meanwhile, life in the Commonwealth is not as idyllic as it seems.  For some, hope will be renewed. Others will be pushed past the point of no return. One truth holds tight: Lives hang in the balance with each decision drastically changing their future, their chances of survival, and the state of each community. 



Finally we have the new EPIX horror series “From,” a mystery box style series that’s drawing favorable comparisons to “Lost.” You can read Meagan’s 4-star review right here.
The series unravels the mystery of a nightmarish town in middle America that traps all those who enter. As the unwilling residents fight to keep a sense of normalcy and search for a way out, they must also survive the threats of the surrounding forest – including the terrifying creatures that come out when the sun goes down.
Created and executive produced by John Griffin (Crater), directed and executive produced by Jack Bender (Lost, Game of Thrones, Mr. Mercedes), and executive produced by Showrunner Jeff Pinkner (Fringe, Alias, Lost), “From” features a stellar ensemble cast led by Harold Perrineau (Lost). In addition to Perrineau, the cast includes Catalina Sandino Moreno (Maria Full of Grace, The Affair), Eion Bailey (Band of Brothers, Once Upon a Time), Hannah Cheramy, Simon Webster, Ricky He (The Good Doctor), Chloe Van Landschoot, Shaun Majumder, Corteon Moore (Utopia Falls), Pegah Ghafoori, David Alpay (Castle Rock), Elizabeth Saunders (Clarice), Elizabeth Moy and Avery Konrad.
Watch the official trailer below, which is likely to sink its hooks into you…


We  would love to  say thanks to the author of this article for this  remarkable content



Netflix’s ‘Texas Chainsaw Massacre’ and 7 More New Horror Movies Releasing This Week!

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      string(43718) "

The Texas Chainsaw Massacre franchise roars back to life with a brand new movie on Netflix this week, but that’s not the only new horror movie on the horizon this week.
In addition to Leatherface’s return as well as the return of AMC’s “The Walking Dead,” several new horror movies are releasing this week. As always, we’ve got the rundown.
Here’s all the new horror releasing February 15-20, 2022!

First up, Here Before is now available on VOD outlets today, a mind-bending nightmare from director Stacey Gregg that stars Andrea Riseborough (Mandy, Possessor).
In the film, “Andrea Riseborough is spellbinding as the distraught mother, haunted by the death of her young daughter, who develops an all-consuming obsession over the neighbor’s girl who she believes is the reincarnation of her child.
“When new neighbors move in, Laura (Riseborough) is awakened from her mundane daily routine of errands and exercise. She becomes transfixed by their young daughter, Megan (Niamh Dornan). Megan’s parents Marie (Eileen O’Higgins) and Chris (Martin McCann) initially don’t seem to mind as Laura offers Megan a ride home from school and an invitation to dinner.
“Her husband Brendon (Jonjo O’Neill) grows concerned as his wife’s infatuation with the young girl spirals into increasingly erratic behavior. Eerily, Megan seemingly knows far too many specific details of their family life and displays similar mannerisms of their dead daughter.
“Is the trauma of losing her child causing Laura to lose grip on reality, or is Megan truly the reincarnation of her daughter?”



It’s not new, per se, but all 44 episodes of the 1980s anthology series “Freddy’s Nightmares” are now streaming for the very first time as of today, exclusively through Screambox!
Based on one of horror’s most storied franchises, “Freddy’s Nightmares” is an anthology series starring the original Freddy Krueger, Robert Englund. Airing from 1988 to 1990, each episode tells a different story of a dark rooted and grim nature that takes place in this fictitious town on Elm Street; the same setting as the A Nightmare on Elm Street films.
Of particular note, the pilot episode, “No More Mr. Nice Guy”, acts as a prequel to Wes Craven’s A Nightmare on Elm Street (1984) and was directed by the late Tobe Hooper (The Texas Chain Saw Massacre, Poltergeist). Other notable filmmakers include Mick Garris (Critters 2, Sleepwalkers), William Malone (Scared to Death, Creature, House on Haunted Hill), and Tom McLoughlin (Friday the 13th Part VI: Jason Lives). Robert Englund directed the episodes “Cabin Fever” and “Monkey Dreams”.
Visit www.screambox.com to start streaming “Freddy’s Nightmares” now!


Looking similar to Warm Bodies, Zombae is the next horror-comedy to explore a relationship between a human and a zombie, and it’s available today through VOD outlets.
In Zombae, “What is a woman to do in the current dating climate? When a suburban housewife discovers that her husband has become a zombie with an appetite for human flesh, she must decide whether to stay in the marriage or wade into the dating pool. As she dips her toe in, she soon finds that the men out there are even worse than her zombie husband! With a little help from her best friend, she decides to make it work – no matter what.”
From director Greg Zekowski (“Ryan’s Mystery Playdate”), the horror-comedy stars Ian Alda (“Dave”), Marieh Delfino (The Invitation), Gina Hecht (“Seinfeld”), Gabe Greenspan (“Wayward Guide”), and Clint Carmichael (“Why Women Kill”).



Jumping over to Thursday, February 17, Shudder’s brand new paranormal horror movie They Live in the Grey will be available, written and directed by Burlee and Abel Vang (Bedeviled).
“Michelle Krusiec plays Claire who, while investigating a child abuse case, discovers that the family is being tormented by a supernatural entity. In order to save the family, she must confront her own fears and use her emerging clairvoyance to stop the malevolent force.”
They Live in the Grey also stars Ken Kirby (Good Trouble, Dynasty), Ellen Wroe (For All Mankind, Shameless), and Madelyn Grace (Don’t Breathe 2).



The biggest new release for the week is of course Netflix’s Texas Chainsaw Massacre, a sequel to the original classic that slices its way into Netflix this Friday, February 18th.
David Blue Garcia (Tejano) directed the movie, written by Chris Thomas Devlin.
“After nearly 50 years of hiding, Leatherface returns to terrorize a group of idealistic young friends who accidentally disrupt his carefully shielded world in a remote Texas town.”
“Melody (Sarah Yarkin), her teenage sister Lila (Elsie Fisher), and their friends Dante (Jacob Latimore) and Ruth (Nell Hudson), head to the remote town of Harlow, Texas to start an idealistic new business venture. But their dream soon turns into a waking nightmare when they accidentally disrupt the home of Leatherface, the deranged serial killer whose blood-soaked legacy continues to haunt the area’s residents — including Sally Hardesty (Olwen Fouéré), the sole survivor of his infamous 1973 massacre who’s hell-bent on seeking revenge.”
Mark Burnham (Lowlife) is Old Man Leatherface in Netflix’s Texas Chainsaw Massacre.



Also on Friday, new werewolf horror movie The Cursed (formerly titled Eight for Silver) will be releasing, although this one will only be playing in movie theaters for now.
The film is said to be a “reimagining of the werewolf legend for a modern-day audience.”
In The Cursed, written and directed by Sean Ellis, “In the late 1800s, a man arrives in a remote country village to investigate an attack by a wild animal but discovers a much deeper and sinister force that has the manor and its townspeople in its grip.”
Boyd Holbrook, Kelly Reilly, and Alistair Petrie star.



District 9 star Sharlto Copley is Ted Kaczynski in the “Unabomber” movie Ted K, a true crime thriller that comes to select theaters and VOD outlets this Friday, February 18th.
Ted K was directed by Tony Stone. The film is said to feature “a tour-de-force performance from Sharlto Copley, who portrays the complexity of this unique outsider, raging at the forces of both the inescapable technological society that plagues him and his own inner demons.”
“Ted K lives a life of almost complete seclusion in a simple wooden cabin in the mountains of Montana. But then this former university professor, who despises modern society and its faith in technology, becomes radicalized. What begins with local acts of sabotage, ends with deadly bomb attacks. To the outside world, Ted K becomes known as the Unabomber.
“Based on Ted Kaczynski’s diaries and writings, Tony Stone’s film is a kaleidoscopic true crime journey into the life of one of America’s most complex and eccentric killers.”



Adam Scott, Patricia Arquette, Christopher Walken, and John Turturro star in the new Apple TV+ thriller series “Severance,” directed by Ben Stiller and arriving this Friday.
From director and executive producer Ben Stiller (“Escape at Dannemora,” “Tropic Thunder”), and creator Dan Erickson, “Severance” will launch globally on Apple TV+ with the first two episodes on February 18, 2022, followed by new weekly installments every Friday.
In “Severance”… Mark Scout (Adam Scott) leads a team at Lumon Industries, whose employees have undergone a severance procedure, which surgically divides their memories between their work and personal lives. This daring experiment in ‘work-life balance’ is called into question as Mark finds himself at the center of an unraveling mystery that will force him to confront the true nature of his work… and of himself.  



After premiering at the Toronto International Film Festival last fall, IFC Midnight is bringing first-time filmmaker Ruth Paxton‘s A Banquet to theaters and VOD platforms on Friday.
Described as “a slow-burning psychological horror that layers apocalyptic elements underneath familial tensions of three generations of mothers and daughters,” A Banquet is coming to select theaters and on digital platforms February 18.
“Widowed mother Holly (Sienna Guillory) is radically tested when her teenage daughter Betsey (Jessica Alexander) experiences a profound enlightenment and insists that her body is no longer her own, but in service to a higher power. Bound to her newfound faith, Betsey refuses to eat but loses no weight. In an agonizing dilemma, torn between love and fear, Holly is forced to confront the boundaries of her own beliefs.” Ruby Stokes and Lindsay Duncan also star.



The final new horror release for this jam-packed Friday is Cinedigm’s Incarnation, which is set to unleash the demon known as Mammon. Starring Taye Diggs, Jessica Uberuaga and Michael Madsen, Cinedigm’s Incarnation will arrive In Theaters and on VOD February 18.
“A throwback to the popular haunted house sub-genre, Incarnation centers around a young couple chasing the American dream. Brad (Diggs) and Jess (Uberuaga) move to Los Angeles in search of a better life. When they stumble upon a hidden real estate gem, managed by the laid-back landlord Peter (Madsen), they are elated by their turn of fortune. But their ideal home is hiding a secret far more sinister than they could have ever imagined, for the very walls are alive with an ancient evil, and they soon learn that greed comes with a hefty price.”
Incarnation was co-written and directed by Isaac Walsh.



Sunday, February 20th is all about horror on the small screen. For starters, AMC’s “The Walking Dead” is back with new episodes, the second chapter in their 3-part final season.
Eight brand new episodes will be part of this second chapter.
This Sunday, The Walking Dead returns with many of our heroes fighting imminent hellfire under Reaper attack; while others battle Mother Nature’s torrential wrath in Alexandria. For all, their world is literally crashing down around them. Meanwhile, life in the Commonwealth is not as idyllic as it seems.  For some, hope will be renewed. Others will be pushed past the point of no return. One truth holds tight: Lives hang in the balance with each decision drastically changing their future, their chances of survival, and the state of each community. 



Finally we have the new EPIX horror series “From,” a mystery box style series that’s drawing favorable comparisons to “Lost.” You can read Meagan’s 4-star review right here.
The series unravels the mystery of a nightmarish town in middle America that traps all those who enter. As the unwilling residents fight to keep a sense of normalcy and search for a way out, they must also survive the threats of the surrounding forest – including the terrifying creatures that come out when the sun goes down.
Created and executive produced by John Griffin (Crater), directed and executive produced by Jack Bender (Lost, Game of Thrones, Mr. Mercedes), and executive produced by Showrunner Jeff Pinkner (Fringe, Alias, Lost), “From” features a stellar ensemble cast led by Harold Perrineau (Lost). In addition to Perrineau, the cast includes Catalina Sandino Moreno (Maria Full of Grace, The Affair), Eion Bailey (Band of Brothers, Once Upon a Time), Hannah Cheramy, Simon Webster, Ricky He (The Good Doctor), Chloe Van Landschoot, Shaun Majumder, Corteon Moore (Utopia Falls), Pegah Ghafoori, David Alpay (Castle Rock), Elizabeth Saunders (Clarice), Elizabeth Moy and Avery Konrad.
Watch the official trailer below, which is likely to sink its hooks into you…


We  would love to  say thanks to the author of this article for this  remarkable content



Netflix’s ‘Texas Chainsaw Massacre’ and 7 More New Horror Movies Releasing This Week!

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      string(590) "They’re called “feel-good” movies for a reason. Watching movies could distract you from reality and lift your spirits. Medication and therapy are the main treatment options for depression, but activities that spark joy could also be helpful. When you’re feeling down, movies are a good way to lift your mood. A good movie could take ... Read more"
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They’re called “feel-good” movies for a reason. Watching movies could distract you from reality and lift your spirits.

Medication and therapy are the main treatment options for depression, but activities that spark joy could also be helpful.
When you’re feeling down, movies are a good way to lift your mood. A good movie could take you through an emotional journey — all within the span of a couple of hours.
You could be laughing one moment and crying the next, or transported into outer space where you battle other beings for world domination.
If you’re looking for an enjoyable way to lift your spirits, consider popping some popcorn and sitting down to your favorite movie. 


Medication and therapy are effective treatments for depression, but they’re not the only ways to lift your mood.
Doing things you enjoy could also improve your mental health and overall well-being, according to a 2016 study. Whether your hobbies include listening to music, riding your bike, or watching movies, these leisurely activities could have a positive effect on your mood and mental health.
Cinema and video therapy — therapy involving watching commercial films or videos — became popular after the invention of video home system (VHS) players.
According to a 2021 study, cinema and video therapy typically involve using films or videos to expose a person to a character who might be going through a similar physical or emotional experience. The characters and scenarios on the screen could spark conversation about you and what you’re feeling.
A 2020 study found that particular films could impact your brain’s activity. Using functional magnetic resonance imaging (fMRI) to measure brain activity, researchers found that movies could exert control over the brain to some extent.
This was based, however, on the movie content and style of editing and directing.
We’ve all watched a movie we could relate to or felt inspired by. Watching movies when you’re sad or depressed is no different — it could give you something to relate to.
But the type of movie that will uplift you will depend on you and your preferences. Not all movies will work for every person.


Movies of any genre could be a helpful distraction or source of inspiration during a depressive episode.
Comedies
The most obvious genre of film to watch when you’re sad is comedy. A 2016 study found that laughter could have therapeutic benefits. Humor can have a positive effect on mental health and the immune system.
When you laugh, levels of the stress hormone cortisol are reduced, which helps to reduce stress. Laughter also alters serotonin and dopamine activity and releases the feel-good hormone endorphins — all of which can help ease feelings of depression.
Dramas or tragedies
Even dramatic or tragic movies could spark an emotional response. Similar to laughter, crying could activate the release of endorphins, according to a 2016 study.
Dramatic movies could increase feelings of gratitude and reduce feelings of isolation.
They could also act as a reminder that everyone experiences struggles of their own and invite viewers to reflect on their own problems.
Sad or tragic movies, while not a mood booster, remind us that we’re not alone.
Documentaries
Documentaries could be an engaging choice. These movies are based on true events, which could be inspiring or eye-opening.
They might not distract from reality but could highlight it.
Documentaries that emphasize amazing or thought-provoking events that have happened or are currently happening in the world could be a humbling and grounding realization.
Romantic comedies (aka Rom-Coms)
Romantic comedies, aka rom-coms, could make you feel better about your situation or inspire you to look at your current situation from a different perspective.
Depending on the storyline, a romantic comedy could be just the distraction and source of lighthearted humor you need.
Horror and suspense
Many of us love to be scared — whether that’s through watching scary movies or reading suspenseful books. 
The tension, buildup, and conflict that’s often seen in horror and suspenseful movies drive our enjoyment and arouse us emotionally and cognitively, according to a 2019 review. Researchers note, however, that the studies reviewed were small and many were based on self-reports.
A 2021 study conducted during the COVID-19 pandemic found that watching horror and pandemic films allowed people to practice coping strategies that could be helpful in a real-world situation. It’s important to note that this study was also small and more research is needed.


No matter the type of movie you prefer, there are many movies you could watch when you’re feeling sad or depressed.
Here’s a breakdown by streaming service. You might also find a movie on other platforms such as YouTube TV and Frndly TV, which houses the cable TV stations Hallmark and Lifetime — well-known for their vast selection of made-for-TV rom-com movies.
Netflix

“About Time” (2013)
“A Knight’s Tale” (2001)
“Annie” (1982)
“As Good As It Gets” (1997)
“Get On Up” (2014)
“Good Burger” (1997)
“Greater” (2016)
“Hugo” (2011)
“Les Misérables” (2012)
“My Dog Skip” (2000)
“Rain Man” (1988)
“Silver Linings Playbook” (2012)
“Soul Surfer” (2011)
“Stand By Me” (1986)
“The Boy Who Harnessed the Wind” (2019)
“The Fundamentals of Caring” (2016)
“The Holiday” (2006)
“The Karate Kid” (1984)

Hulu

“Adventureland” (2009)
“Bend It Like Beckham” (2002)
“Bridget Jones’s Diary” (2001)
“Dirty Dancing” (1987)
“Eat Pray Love” (2010)
“Fun with Dick and Jane” (2005)
“Hearts Beat Loud” (2018)
“Hidden Figures” (2016)
“How Stella Got Her Groove Back” (1998)
“Hunt for the Wilderpeople” (2016)
“Interstellar” (2014)
“La La Land” (2016)
“Mamma Mia!” (2008)
“Mrs. Doubtfire” (1993)
“Skate Kitchen” (2018)
“The Help” (2011)
“The Martian” (2015)
“The Perks of Being a Wallflower” (2012)

Disney+

“10 Things I Hate About You” (1999)
“Cool Runnings” (1993)
“Encanto” (2021)
“Finding Dory” (2016)
“Inside Out” (2015)
“Mulan” (1998)
“Splash” (1984)
“Togo” (2019)
“Toy Story” (1995)
“Up” (2009)
“We Bought a Zoo” (2011)
“Zootopia” (2016)

HBO Max

“13 Going on 30” (2004)
“27 Dresses” (2008)
“42” (2013)
“Crazy, Stupid, Love” (2011)
“Life of Pi” (2012)
“Pride & Prejudice” (2005)
“The Goonies” (1985)
“The Shawshank Redemption” (1994)
“The Truman Show” (1998)
“When Harry Met Sally” (1989)
“Where The Wild Things Are” (2009)
“Yes Man” (2008)

Amazon Prime

“(500) Days of Summer” (2009)
“Back to the Future” (1985)
“Brittany Runs a Marathon” (2019)
“Forrest Gump” (1994)
“Grease” (1978)
“Green Book” (2018)
“It’s A Wonderful Life” (1946)
“It’s Kind of a Funny Story” (2010)
“Synecdoche; New York” (2008)
“The Blind Side” (2009)
“The Butler” (2013)
“The Farewell” (2019)
“The Secret Life of Walter Mitty” (2013)
“Troop Zero” (2019)

Peacock

“Definitely Mabye” (2008)
“Grown Ups” (2010)
“Hitch” (2005)
“Meet the Patels” (2015)
“Miss Congeniality” (2000)
“The Breakfast Club” (1985)
“Uncle Buck” (1989)



Movies offer a temporary escape from reality. Even when a movie has ended, you might still feel an emotional high and spend time reflecting on it with friends and loved ones.
Movies can make you feel happy, inspired, and give you a sense of community.
When you need a quick pick-me-up, what better way to do that than sitting down to watch your favorite movie.
But movies aren’t a treatment for depression. If your depression symptoms are affecting your day-to-day life, consider reaching out to a mental health professional for help.


We  want to thank the author of this article for this  remarkable  web content



Movies to Watch When You’re Depressed

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They’re called “feel-good” movies for a reason. Watching movies could distract you from reality and lift your spirits.

Medication and therapy are the main treatment options for depression, but activities that spark joy could also be helpful.
When you’re feeling down, movies are a good way to lift your mood. A good movie could take you through an emotional journey — all within the span of a couple of hours.
You could be laughing one moment and crying the next, or transported into outer space where you battle other beings for world domination.
If you’re looking for an enjoyable way to lift your spirits, consider popping some popcorn and sitting down to your favorite movie. 


Medication and therapy are effective treatments for depression, but they’re not the only ways to lift your mood.
Doing things you enjoy could also improve your mental health and overall well-being, according to a 2016 study. Whether your hobbies include listening to music, riding your bike, or watching movies, these leisurely activities could have a positive effect on your mood and mental health.
Cinema and video therapy — therapy involving watching commercial films or videos — became popular after the invention of video home system (VHS) players.
According to a 2021 study, cinema and video therapy typically involve using films or videos to expose a person to a character who might be going through a similar physical or emotional experience. The characters and scenarios on the screen could spark conversation about you and what you’re feeling.
A 2020 study found that particular films could impact your brain’s activity. Using functional magnetic resonance imaging (fMRI) to measure brain activity, researchers found that movies could exert control over the brain to some extent.
This was based, however, on the movie content and style of editing and directing.
We’ve all watched a movie we could relate to or felt inspired by. Watching movies when you’re sad or depressed is no different — it could give you something to relate to.
But the type of movie that will uplift you will depend on you and your preferences. Not all movies will work for every person.


Movies of any genre could be a helpful distraction or source of inspiration during a depressive episode.
Comedies
The most obvious genre of film to watch when you’re sad is comedy. A 2016 study found that laughter could have therapeutic benefits. Humor can have a positive effect on mental health and the immune system.
When you laugh, levels of the stress hormone cortisol are reduced, which helps to reduce stress. Laughter also alters serotonin and dopamine activity and releases the feel-good hormone endorphins — all of which can help ease feelings of depression.
Dramas or tragedies
Even dramatic or tragic movies could spark an emotional response. Similar to laughter, crying could activate the release of endorphins, according to a 2016 study.
Dramatic movies could increase feelings of gratitude and reduce feelings of isolation.
They could also act as a reminder that everyone experiences struggles of their own and invite viewers to reflect on their own problems.
Sad or tragic movies, while not a mood booster, remind us that we’re not alone.
Documentaries
Documentaries could be an engaging choice. These movies are based on true events, which could be inspiring or eye-opening.
They might not distract from reality but could highlight it.
Documentaries that emphasize amazing or thought-provoking events that have happened or are currently happening in the world could be a humbling and grounding realization.
Romantic comedies (aka Rom-Coms)
Romantic comedies, aka rom-coms, could make you feel better about your situation or inspire you to look at your current situation from a different perspective.
Depending on the storyline, a romantic comedy could be just the distraction and source of lighthearted humor you need.
Horror and suspense
Many of us love to be scared — whether that’s through watching scary movies or reading suspenseful books. 
The tension, buildup, and conflict that’s often seen in horror and suspenseful movies drive our enjoyment and arouse us emotionally and cognitively, according to a 2019 review. Researchers note, however, that the studies reviewed were small and many were based on self-reports.
A 2021 study conducted during the COVID-19 pandemic found that watching horror and pandemic films allowed people to practice coping strategies that could be helpful in a real-world situation. It’s important to note that this study was also small and more research is needed.


No matter the type of movie you prefer, there are many movies you could watch when you’re feeling sad or depressed.
Here’s a breakdown by streaming service. You might also find a movie on other platforms such as YouTube TV and Frndly TV, which houses the cable TV stations Hallmark and Lifetime — well-known for their vast selection of made-for-TV rom-com movies.
Netflix

“About Time” (2013)
“A Knight’s Tale” (2001)
“Annie” (1982)
“As Good As It Gets” (1997)
“Get On Up” (2014)
“Good Burger” (1997)
“Greater” (2016)
“Hugo” (2011)
“Les Misérables” (2012)
“My Dog Skip” (2000)
“Rain Man” (1988)
“Silver Linings Playbook” (2012)
“Soul Surfer” (2011)
“Stand By Me” (1986)
“The Boy Who Harnessed the Wind” (2019)
“The Fundamentals of Caring” (2016)
“The Holiday” (2006)
“The Karate Kid” (1984)

Hulu

“Adventureland” (2009)
“Bend It Like Beckham” (2002)
“Bridget Jones’s Diary” (2001)
“Dirty Dancing” (1987)
“Eat Pray Love” (2010)
“Fun with Dick and Jane” (2005)
“Hearts Beat Loud” (2018)
“Hidden Figures” (2016)
“How Stella Got Her Groove Back” (1998)
“Hunt for the Wilderpeople” (2016)
“Interstellar” (2014)
“La La Land” (2016)
“Mamma Mia!” (2008)
“Mrs. Doubtfire” (1993)
“Skate Kitchen” (2018)
“The Help” (2011)
“The Martian” (2015)
“The Perks of Being a Wallflower” (2012)

Disney+

“10 Things I Hate About You” (1999)
“Cool Runnings” (1993)
“Encanto” (2021)
“Finding Dory” (2016)
“Inside Out” (2015)
“Mulan” (1998)
“Splash” (1984)
“Togo” (2019)
“Toy Story” (1995)
“Up” (2009)
“We Bought a Zoo” (2011)
“Zootopia” (2016)

HBO Max

“13 Going on 30” (2004)
“27 Dresses” (2008)
“42” (2013)
“Crazy, Stupid, Love” (2011)
“Life of Pi” (2012)
“Pride & Prejudice” (2005)
“The Goonies” (1985)
“The Shawshank Redemption” (1994)
“The Truman Show” (1998)
“When Harry Met Sally” (1989)
“Where The Wild Things Are” (2009)
“Yes Man” (2008)

Amazon Prime

“(500) Days of Summer” (2009)
“Back to the Future” (1985)
“Brittany Runs a Marathon” (2019)
“Forrest Gump” (1994)
“Grease” (1978)
“Green Book” (2018)
“It’s A Wonderful Life” (1946)
“It’s Kind of a Funny Story” (2010)
“Synecdoche; New York” (2008)
“The Blind Side” (2009)
“The Butler” (2013)
“The Farewell” (2019)
“The Secret Life of Walter Mitty” (2013)
“Troop Zero” (2019)

Peacock

“Definitely Mabye” (2008)
“Grown Ups” (2010)
“Hitch” (2005)
“Meet the Patels” (2015)
“Miss Congeniality” (2000)
“The Breakfast Club” (1985)
“Uncle Buck” (1989)



Movies offer a temporary escape from reality. Even when a movie has ended, you might still feel an emotional high and spend time reflecting on it with friends and loved ones.
Movies can make you feel happy, inspired, and give you a sense of community.
When you need a quick pick-me-up, what better way to do that than sitting down to watch your favorite movie.
But movies aren’t a treatment for depression. If your depression symptoms are affecting your day-to-day life, consider reaching out to a mental health professional for help.


We  want to thank the author of this article for this  remarkable  web content



Movies to Watch When You’re Depressed

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      string(595) "The recent movie Ghostbusters: Afterlife, directed by Jason Reitman, is a direct sequel to the two original Ghostbusters films from the 1980s. Fantasy author Christopher M. Cevasco found Afterlife to be an enjoyable return to the Ghostbusters universe. “The story itself was kind of threadbare, but I was willing to forgive that because I was ... Read more"
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The recent movie Ghostbusters: Afterlife, directed by Jason Reitman, is a direct sequel to the two original Ghostbusters films from the 1980s. Fantasy author Christopher M. Cevasco found Afterlife to be an enjoyable return to the Ghostbusters universe.
“The story itself was kind of threadbare, but I was willing to forgive that because I was having so much fun just spending time with the characters,” Cevasco says in Episode 502 of the Geek’s Guide to the Galaxy podcast. “It’s nothing that’s going to win any Academy Awards or anything, but it was a fun popcorn film, which is what the originals were only ever intended to be.”
Writer Sara Lynn Michener enjoyed Afterlife, but says that Ghostbusters really needs to find a fresh approach if the franchise is going to continue. “I feel like there’s so much potential to take Ghostbusters to a new place entirely,” she says. “They could make a scary Ghostbusters—one that’s genuinely scary, where the stakes are actually high, where people are actually killed. They could do all kinds of things.”
Afterlife moves the action away from New York City to a small town in Oklahoma. Geek’s Guide to the Galaxy host David Barr Kirtley loves the idea of a town founded by Gozer-worshippers, and thinks it would make a great setting for a horror film. “I enjoyed this movie just fine, but I’m not at all excited about a sequel to this movie if it’s just kind of more of the same,” he says. “But if they were to make a sequel that’s more of a genuine horror movie, something like Evil Dead, where it’s funny and genuinely disturbing or frightening, that would be really interesting.”
Science fiction author Robert Repino agrees that a more horror-focused approach may be just what the franchise needs. “There’s got to be a script floating around at Blumhouse for a scary Ghostbusters,” he says. “They’re the people to do it, right? Get it to Jordan Peele.”
Listen to the complete interview with Sara Lynn Michener, Christopher M. Cevasco, and Robert Repino in Episode 502 of Geek’s Guide to the Galaxy (above). And check out some highlights from the discussion below.
Sara Lynn Michener on Ghostbusters (2016):
The 2016 Ghostbusters movie is my favorite for very specific reasons. I love Paul Feig. He did A Simple Favor, which is one of the funniest movies I’ve ever watched in my life. He really understands “gender politics” humor. I don’t know how else to describe it. It’s a very specific thing, but it is hilarious when it is done right. But yeah, I definitely picked up on a lot of the cynical stuff that was going on, and it was incredibly groan-worthy, especially given how much I loved the film, and again, I am “the fans” just as much as the average dude who is Gen X is “the fans,” and every time I hear they’re “giving it back to the fans,” it’s like, “Hello? Who do you think I am? I grew up on this stuff too.”
David Barr Kirtley on nostalgia:
The kids start busting ghosts, and then after they bust their first ghost they get sent to jail. And everything up until then I was pretty much into. And then Phoebe, the teenage daughter, says, “I want my one phone call.” And the police chief says, “Who you gonna call?” Which was the catchphrase for the original movie. So it’s this very obvious meta-joke. And at that point I was kind of like, “Oh no, here we go.” And from that point it just got more and more self-referential, and just shoveling all this stuff that you remember at you, just piling it higher and higher, so that by the end of the movie I felt like just the weight of all the in-jokes and references and call-backs and nostalgia had just completely buried any kind of story or characters underneath it.”
Christopher M. Cevasco on ghosts:
To me the single biggest missed opportunity was “we have a Ghostbuster who becomes a ghost,” and that fact went almost unremarked. I mean, these are people who  spent their entire lives studying ghosts and ghostly phenomenon, and then when the other three Ghostbusters show up at the end, not one of them is [curious]. I wanted to see Ray Stantz go over and be like, “Dude! What’s it actually like? How does it feel? Oh my god, this is so cool! We actually have an inside man now. We can find out what’s happening.” Or even to get some sense that Spengler, who becomes the ghost, how is his spirit reacting to that? There are any number of ways that could have been explored.”
Robert Repino on plot:
I wonder how different the movie would be if, instead of characters stumbling upon this secret, it’s instead characters who, from the very beginning, are going to Oklahoma specifically to find out what happened to Egon. So it’s Ghostbusters 3: The Search for Egon. That might have gotten things off to a better start. Now the problem of course is that you lose some of that wonder that you have where Phoebe realizes, “Oh wow, my grandfather’s ghost is talking to me.” … But maybe by having the characters have a specific goal from the beginning, instead of just stumbling into this situation and being like, “OK, I guess we’re busting ghosts now,” maybe that could have worked better.

More Great WIRED Stories
			Go Back to Top. Skip To: Start of Article.

We would like to thank the  writer of this  write-up for this awesome  material



It’s Time for a Scary Ghostbusters Movie

"
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      string(595) "The recent movie Ghostbusters: Afterlife, directed by Jason Reitman, is a direct sequel to the two original Ghostbusters films from the 1980s. Fantasy author Christopher M. Cevasco found Afterlife to be an enjoyable return to the Ghostbusters universe. “The story itself was kind of threadbare, but I was willing to forgive that because I was ... Read more"
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The recent movie Ghostbusters: Afterlife, directed by Jason Reitman, is a direct sequel to the two original Ghostbusters films from the 1980s. Fantasy author Christopher M. Cevasco found Afterlife to be an enjoyable return to the Ghostbusters universe.
“The story itself was kind of threadbare, but I was willing to forgive that because I was having so much fun just spending time with the characters,” Cevasco says in Episode 502 of the Geek’s Guide to the Galaxy podcast. “It’s nothing that’s going to win any Academy Awards or anything, but it was a fun popcorn film, which is what the originals were only ever intended to be.”
Writer Sara Lynn Michener enjoyed Afterlife, but says that Ghostbusters really needs to find a fresh approach if the franchise is going to continue. “I feel like there’s so much potential to take Ghostbusters to a new place entirely,” she says. “They could make a scary Ghostbusters—one that’s genuinely scary, where the stakes are actually high, where people are actually killed. They could do all kinds of things.”
Afterlife moves the action away from New York City to a small town in Oklahoma. Geek’s Guide to the Galaxy host David Barr Kirtley loves the idea of a town founded by Gozer-worshippers, and thinks it would make a great setting for a horror film. “I enjoyed this movie just fine, but I’m not at all excited about a sequel to this movie if it’s just kind of more of the same,” he says. “But if they were to make a sequel that’s more of a genuine horror movie, something like Evil Dead, where it’s funny and genuinely disturbing or frightening, that would be really interesting.”
Science fiction author Robert Repino agrees that a more horror-focused approach may be just what the franchise needs. “There’s got to be a script floating around at Blumhouse for a scary Ghostbusters,” he says. “They’re the people to do it, right? Get it to Jordan Peele.”
Listen to the complete interview with Sara Lynn Michener, Christopher M. Cevasco, and Robert Repino in Episode 502 of Geek’s Guide to the Galaxy (above). And check out some highlights from the discussion below.
Sara Lynn Michener on Ghostbusters (2016):
The 2016 Ghostbusters movie is my favorite for very specific reasons. I love Paul Feig. He did A Simple Favor, which is one of the funniest movies I’ve ever watched in my life. He really understands “gender politics” humor. I don’t know how else to describe it. It’s a very specific thing, but it is hilarious when it is done right. But yeah, I definitely picked up on a lot of the cynical stuff that was going on, and it was incredibly groan-worthy, especially given how much I loved the film, and again, I am “the fans” just as much as the average dude who is Gen X is “the fans,” and every time I hear they’re “giving it back to the fans,” it’s like, “Hello? Who do you think I am? I grew up on this stuff too.”
David Barr Kirtley on nostalgia:
The kids start busting ghosts, and then after they bust their first ghost they get sent to jail. And everything up until then I was pretty much into. And then Phoebe, the teenage daughter, says, “I want my one phone call.” And the police chief says, “Who you gonna call?” Which was the catchphrase for the original movie. So it’s this very obvious meta-joke. And at that point I was kind of like, “Oh no, here we go.” And from that point it just got more and more self-referential, and just shoveling all this stuff that you remember at you, just piling it higher and higher, so that by the end of the movie I felt like just the weight of all the in-jokes and references and call-backs and nostalgia had just completely buried any kind of story or characters underneath it.”
Christopher M. Cevasco on ghosts:
To me the single biggest missed opportunity was “we have a Ghostbuster who becomes a ghost,” and that fact went almost unremarked. I mean, these are people who  spent their entire lives studying ghosts and ghostly phenomenon, and then when the other three Ghostbusters show up at the end, not one of them is [curious]. I wanted to see Ray Stantz go over and be like, “Dude! What’s it actually like? How does it feel? Oh my god, this is so cool! We actually have an inside man now. We can find out what’s happening.” Or even to get some sense that Spengler, who becomes the ghost, how is his spirit reacting to that? There are any number of ways that could have been explored.”
Robert Repino on plot:
I wonder how different the movie would be if, instead of characters stumbling upon this secret, it’s instead characters who, from the very beginning, are going to Oklahoma specifically to find out what happened to Egon. So it’s Ghostbusters 3: The Search for Egon. That might have gotten things off to a better start. Now the problem of course is that you lose some of that wonder that you have where Phoebe realizes, “Oh wow, my grandfather’s ghost is talking to me.” … But maybe by having the characters have a specific goal from the beginning, instead of just stumbling into this situation and being like, “OK, I guess we’re busting ghosts now,” maybe that could have worked better.

More Great WIRED Stories
			Go Back to Top. Skip To: Start of Article.

We would like to thank the  writer of this  write-up for this awesome  material



It’s Time for a Scary Ghostbusters Movie

"
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      ["title"]=>
      string(94) "Movies on TV this week: ‘Solo: A Star Wars Story’ on TNT; ‘Stand by Me’ on BBC America"
      ["link"]=>
      string(129) "https://movs.packagingnewsonline.com/scream-away/movies-on-tv-this-week-solo-a-star-wars-story-on-tnt-stand-by-me-on-bbc-america/"
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      array(1) {
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        string(11) "Harry World"
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      ["pubdate"]=>
      string(31) "Sat, 19 Feb 2022 03:24:58 +0000"
      ["category"]=>
      string(56) "Scream AwayAmericaBBCMoviesSolostandStarStoryTNTWarsWeek"
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      ["description"]=>
      string(715) "Four Star Films, Box Office Hits, Indies and Imports, Movies A – Z FOUR STAR FILMS Top rated movies and made-for-TV films airing the week of the week of Feb 20 – 26, 2022 Casablanca (1942) TCM Mon. 9:45 p.m. E.T. the Extra-Terrestrial (1982) Sundance Sat. 3:25 p.m. Forrest Gump (1994) Paramount Fri. 10 p.m. ... Read more"
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Four Star Films, Box Office Hits, Indies and Imports, Movies A – Z 
FOUR STAR FILMS
Top rated movies and made-for-TV films airing the week of the week of Feb 20 – 26, 2022
Casablanca (1942) TCM Mon. 9:45 p.m.
E.T. the Extra-Terrestrial (1982) Sundance Sat. 3:25 p.m.
Forrest Gump (1994) Paramount Fri. 10 p.m. Paramount Sat. 4:30 p.m.
The French Connection (1971) EPIX Thur. 10:20 p.m.
Giant (1956) TCM Sat. 10:45 a.m.
Goldfinger (1964) BBC America Mon. 9 p.m. BBC America Tues. 2:30 a.m.
Jaws (1975) AMC Sun. 6:42 a.m. AMC Sat. 4 p.m.
The Last Picture Show (1971) TMC Sun. 10 p.m.
Lawrence of Arabia: Director’s Cut (1962) TCM Thur. 7:45 p.m.
Lust for Life (1956) TCM Sun. 4:45 a.m.
The Magnificent Ambersons (1942) TCM Fri. 1:45 a.m.
On Golden Pond (1981) TCM Tues. 8 p.m.
The Philadelphia Story (1940) TCM Fri. 8 a.m.
Rain Man (1988) Ovation Sun. 4 p.m. Ovation Wed. 8 p.m. Ovation Thur. 4 p.m.
Saving Private Ryan (1998) Paramount Tues. 9:40 p.m.
The Shawshank Redemption (1994) Bravo Fri. 8:30 p.m. Bravo Fri. 11:30 p.m.
Stagecoach (1939) TCM Sat. 9 a.m.
Stand by Me (1986) BBC America Tues. 8 p.m. BBC America Wed. 3 a.m. BBC America Wed. 3 p.m. Sundance Sat. 1:25 p.m. AMC Sun. 5:59 a.m.
Titanic (1997) Showtime Wed. 8 p.m.
12 Years a Slave (2013) HBO Tues. 3:20 a.m.
2001: A Space Odyssey (1968) TCM Thur. 5 p.m.
The Untouchables (1987) Cinemax Mon. 5:59 p.m. Cinemax Thur. 12:26 p.m.
Four Star Films, Box Office Hits, Indies and Imports, Movies A – Z 
BRAVO, IFC & SUNDANCE IN PRIMETIME
Bravo, IFC & Sundance in primetime, airing the week of the week of Feb 20 – 26, 2022
Avatar (2009) ★★★ IFC Sun. 11:45 a.m. BBC America Fri. 7:30 p.m. BBC America Sat. Noon
Bad Boys (1995) ★★ Bravo Thur. 10:30 p.m. Bravo Fri. 3 p.m. USA Sat. 3:30 p.m. USA Sat. 6:30 p.m.
Bad Boys II (2003) ★★ Bravo Fri. 1 a.m. Bravo Fri. 5:30 p.m. USA Sat. 9 p.m.
The Color Purple (1985) ★★★ Sundance Sun. 8:15 p.m. AMC Sat. 9:24 a.m.
The Dukes of Hazzard (2005) ★★ IFC Sat. 8:45 p.m. IFC Sun. 1:10 a.m.
E.T. the Extra-Terrestrial (1982) ★★★★ Sundance Sat. 3:25 p.m.
Edge of Tomorrow (2014) ★★★ IFC Sun. 9:15 a.m. BBC America Thur. 8:30 p.m. BBC America Fri. 5 p.m.
A Few Good Men (1992) ★★★ Sundance Sat. 8 p.m. Sundance Sat. 11 p.m.
Ghosts of Mississippi (1996) ★★ Sundance Sun. 5:15 p.m.
Gods of Egypt (2016) ★ IFC Fri. 2:30 p.m. IFC Sat. 9:30 a.m. IFC Sat. 2:30 p.m.
Godzilla (2014) ★★ IFC Fri. 9:15 a.m. IFC Sat. 9:15 a.m.
Grown Ups (2010) ★ E! Sun. 5:30 p.m. Bravo Sat. 7:30 p.m. Bravo Sun. Noon
Killer Elite (2011) ★★ IFC Fri. 6:45 a.m. IFC Sat. 6:45 a.m.
The Last Witch Hunter (2015) ★★ IFC Fri. Noon IFC Sat. 7 a.m. IFC Sat. Noon
Lethal Weapon 4 (1998) ★★ AMC Mon. 10:30 p.m. AMC Tues. 5 p.m. IFC Fri. 11 p.m. IFC Sat. 6 p.m.
Mad Max: Fury Road (2015) ★★★ IFC Sun. 3:15 p.m. IFC Fri. 8:15 p.m. IFC Sat. 3:15 p.m. IFC Sat. 8:15 p.m.
Malcolm X (1992) ★★★ Sundance Sun. 12:45 p.m. AMC Fri. 9 a.m.
Mr. Deeds (2002) ★ E! Sun. 8 p.m. Bravo Sat. 5:30 p.m. Bravo Sat. 10 p.m.
The Outsiders (1983) ★★ Sundance Sat. 6 p.m. Sundance Sun. 2 a.m.
Prometheus (2012) ★★ IFC Fri. 5:15 p.m. IFC Sat. 12:15 p.m. IFC Sat. 5:15 p.m.
The Punisher (2004) ★★ IFC Sun. 6:30 a.m. AMC Tues. 11 p.m. AMC Wed. 2:30 p.m.
A Raisin in the Sun (1961) ★★★ Sundance Mon. 2:45 a.m.
Road Trip (2000) ★★ IFC Sat. 3:55 a.m. IFC Sun. 3:55 a.m.
Rosewood (1997) ★★★ Sundance Sun. 11:45 p.m.
The Shawshank Redemption (1994) ★★★★ Bravo Fri. 8:30 p.m. Bravo Fri. 11:30 p.m.
The Spy Who Dumped Me (2018) ★★ Bravo Sat. 12:30 p.m.
Stand by Me (1986) ★★★★ BBC America Tues. 8 p.m. BBC America Wed. 3 a.m. BBC America Wed. 3 p.m. Sundance Sat. 1:25 p.m. AMC Sun. 5:59 a.m.
Super Troopers 2 (2018) ★★ IFC Sat. 1:45 a.m. IFC Sat. 11 p.m. IFC Sun. 1:45 a.m.
Superbad (2007) ★★★ E! Sun. 10:30 a.m. Bravo Sat. 3 p.m. Bravo Sun. 2:30 a.m.
Tammy (2014) ★ Bravo Fri. 1 p.m. Bravo Sat. 10:30 a.m.
Four Star Films, Box Office Hits, Indies and Imports, Movies A – Z 
BOX OFFICE HITS
Movies that scored big at the box office, airing the week of the week of Feb 20 – 26, 2022
Air Force One (1997) ★★★ BBC America Sun. 1 p.m. BBC America Sun. 10 p.m. BBC America Sat. 11:53 p.m.
Airplane! (1980) ★★★ EPIX Mon. 6:30 p.m.
Aladdin (1992) ★★★ Freeform Sun. 6:15 p.m.
Anger Management (2003) ★★ Cinemax Wed. 12:53 p.m. Cinemax Fri. 6:14 p.m.
Any Which Way You Can (1980) ★★ REELZ Wed. 6:30 p.m. REELZ Thur. 9 p.m.
Apollo 13 (1995) ★★★ AMC Sun. 12:30 p.m.
As Good as It Gets (1997) ★★★ Ovation Sun. 7 p.m. Ovation Mon. 4 p.m.
Bad Boys for Life (2020) ★★ FX Wed. 7:30 p.m. FX Thur. 5:30 p.m.
Bad Boys II (2003) ★★ Bravo Fri. 1 a.m. Bravo Fri. 5:30 p.m. USA Sat. 9 p.m.
Batman v Superman: Dawn of Justice (2016) ★★ TBS Sat. 1 p.m.
Big Momma’s House (2000) ★★ VH1 Fri. 12:30 p.m.
The Birdcage (1996) ★★★ Cinemax Fri. 4:13 p.m.
Braveheart (1995) ★★★ Paramount Tues. 12:21 p.m.
Broadcast News (1987) ★★★ Cinemax Sat. 8:56 a.m.
Cars 2 (2011) ★★ Freeform Sun. 11 a.m.
Cast Away (2000) ★★★ Freeform Tues. 3 p.m.
Cliffhanger (1993) ★★★ BBC America Mon. 4 a.m.
The Color Purple (1985) ★★★ Sundance Sun. 8:15 p.m. AMC Sat. 9:24 a.m.
Con Air (1997) ★★ AMC Sun. 2:42 p.m.
Crocodile Dundee (1986) ★★★ EPIX Thur. 1:15 a.m.
The Da Vinci Code (2006) ★★ POP Fri. 11 p.m. POP Sat. 11 a.m.
The Dark Knight Rises (2012) ★★★ HBO Thur. 5:10 a.m. HBO Sun. 4:20 a.m.
Dave (1993) ★★★ Ovation Mon. 7 p.m. Ovation Tues. 4 p.m.
Days of Thunder (1990) ★★ HBO Wed. 3:25 p.m. HBO Sat. 7:50 a.m.
Deadpool 2 (2018) ★★★ FX Tues. Noon FX Tues. 5:30 p.m.
Demolition Man (1993) ★★ Encore Fri. 7:01 p.m. Encore Sat. 12:29 p.m.
Despicable Me (2010) ★★★ Nickelodeon Thur. 5 p.m. Nickelodeon Fri. 3 p.m. Comedy Central Sat. 3:30 p.m.
Despicable Me 2 (2013) ★★★ Nickelodeon Wed. 8 p.m. Nickelodeon Wed. 9 p.m. Nickelodeon Thur. 3 p.m. Comedy Central Sat. 1:30 p.m.
Die Another Day (2002) ★★ BBC America Mon. 1 p.m.
E.T. the Extra-Terrestrial (1982) ★★★★ Sundance Sat. 3:25 p.m.
Enemy of the State (1998) ★★★ Syfy Thur. 9 p.m. Syfy Fri. 5:28 p.m.
Every Which Way But Loose (1978) ★★ REELZ Wed. 4 p.m. REELZ Wed. 9 p.m.
Fast & Furious 6 (2013) ★★ HBO Wed. 2:40 a.m. HBO Sat. 5:43 p.m.
Fast Five (2011) ★★ TNT Sun. 11:30 p.m. TRU Mon. 10 p.m. TRU Tues. 12:30 p.m.
A Few Good Men (1992) ★★★ Sundance Sat. 8 p.m. Sundance Sat. 11 p.m.
First Blood (1982) ★★★ AMC Mon. 11 a.m. AMC Tues. 1:30 a.m.
Footloose (1984) ★★ Showtime Fri. 7:35 a.m.
For Your Eyes Only (1981) ★★★ BBC America Mon. 3:32 p.m. BBC America Mon. 11:30 p.m.
Forrest Gump (1994) ★★★★ Paramount Fri. 10 p.m. Paramount Sat. 4:30 p.m.
Free Guy (2021) ★★★ HBO Sat. 8 p.m.
The Fugitive (1993) ★★★ AMC Sat. 9:30 p.m.
Giant (1956) ★★★★ TCM Sat. 10:45 a.m.
Gladiator (2000) ★★★ Showtime Fri. 3:30 p.m.
Goldfinger (1964) ★★★★ BBC America Mon. 9 p.m. BBC America Tues. 2:30 a.m.
Groundhog Day (1993) ★★★ Encore Mon. 1:47 p.m. Encore Mon. 9 p.m.
Grown Ups (2010) ★ E! Sun. 5:30 p.m. Bravo Sat. 7:30 p.m. Bravo Sun. Noon
Grumpier Old Men (1995) ★★ Ovation Sat. 7:30 p.m.
Grumpy Old Men (1993) ★★ Ovation Sat. 5 p.m.
Hancock (2008) ★★ TNT Wed. 10 p.m. TNT Thur. 2 p.m.
The Hangover Part II (2011) ★★ FX Sat. 5:30 p.m.
Harry Potter and the Chamber of Secrets (2002) ★★★ Syfy Sun. 11:30 a.m. E! Fri. 3:35 p.m. E! Sat. 5:40 a.m. E! Sat. 6 a.m.
Harry Potter and the Goblet of Fire (2005) ★★★ Syfy Sun. 6:28 p.m. Syfy Mon. 10:55 a.m. E! Fri. 10:40 p.m. E! Sat. 12:30 p.m.
Harry Potter and the Half-Blood Prince (2009) ★★★ Syfy Mon. 1 a.m. Syfy Mon. 5:30 p.m. E! Sat. 7:10 p.m.
Harry Potter and the Order of the Phoenix (2007) ★★★ Syfy Sun. 9:58 p.m. Syfy Mon. 2:30 p.m. E! Sat. 4:05 p.m. E! Sun. 5:05 a.m.
Harry Potter and the Prisoner of Azkaban (2004) ★★★ Syfy Sun. 3:25 p.m. E! Fri. 7:35 p.m. E! Sat. 9:25 a.m.
Harry Potter and the Sorcerer’s Stone (2001) ★★★ Syfy Sun. 8 a.m. E! Fri. Noon E! Sat. 2:15 a.m.
Hitch (2005) ★★★ E! Thur. 8:30 a.m. E! Thur. Noon
The Hobbit: An Unexpected Journey (2012) ★★ HBO Sat. 1:55 p.m.
The Hobbit: The Battle of the Five Armies (2014) ★★ AMC Thur. 1:45 p.m.
Hook (1991) ★★★ Syfy Tues. 8 a.m.
How the West Was Won (1962) ★★★ TCM Tues. 5 p.m.
Hulk (2003) ★★ Starz Thur. 10:56 p.m. Starz Fri. 10:38 a.m.
The Hunt for Red October (1990) ★★★ BBC America Sun. 4 p.m.
The Incredibles (2004) ★★★ Freeform Sun. 8:20 p.m.
Independence Day (1996) ★★★ HBO Thur. 5:35 p.m. HBO Sat. 11:30 a.m.
Inside Out (2015) ★★★ Disney Sun. 7 p.m.
Iron Man 3 (2013) ★★★ Encore Thur. 8:43 a.m. Encore Thur. 9 p.m.
Jaws (1975) ★★★★ AMC Sun. 6:42 a.m. AMC Sat. 4 p.m.
Jaws 2 (1978) ★★ AMC Sun. 9:42 a.m. AMC Wed. Noon AMC Thur. 9 a.m.
Joker (2019) ★★★ TNT Mon. 2 a.m.
Jurassic Park (1993) ★★★ HBO Wed. 6:50 a.m.
A League of Their Own (1992) ★★★ MLB Mon. 5 p.m.
Legally Blonde (2001) ★★ E! Thur. 5 p.m. E! Fri. 2:30 a.m.
Lethal Weapon 3 (1992) ★★★ AMC Mon. 8 p.m. AMC Tues. 2:30 p.m.
Lethal Weapon 2 (1989) ★★★ AMC Mon. 5:30 p.m. AMC Tues. Noon
Madagascar (2005) ★★★ TOON Sat. 6 p.m.
Madagascar 3: Europe’s Most Wanted (2012) ★★ UNIMAS Sat. 10 a.m. KFTR Sat. 1 p.m.
The Matrix Reloaded (2003) ★★★ POP Mon. 1:20 p.m. POP Mon. 11 p.m.
The Matrix Revolutions (2003) ★★ POP Mon. 4:35 p.m. POP Tues. 2 a.m.
The Matrix (1999) ★★★ POP Mon. 10 a.m. POP Mon. 7:30 p.m.
Meet Me in St. Louis (1944) ★★★ TCM Fri. 1 p.m.
Men in Black (1997) ★★★ Freeform Mon. 10:30 a.m.
Men in Black II (2002) ★★ Freeform Mon. 12:30 p.m. Freeform Tues. 10:30 a.m.
Minions (2015) ★★ TOON Mon. 5:15 p.m. TOON Tues. 1 p.m.
Misery (1990) ★★★ Showtime Wed. 3:30 a.m.
Miss Congeniality (2000) ★★ E! Thur. Noon E! Thur. 7 p.m.
Mr. Deeds (2002) ★ E! Sun. 8 p.m. Bravo Sat. 5:30 p.m. Bravo Sat. 10 p.m.
Mr. Mom (1983) ★★ Encore Sun. 9 p.m.
Mrs. Doubtfire (1993) ★★★ Freeform Sun. 8 a.m.
The Natural (1984) ★★★ TMC Sun. 5:30 p.m. TMC Sat. 6:35 a.m.
On Golden Pond (1981) ★★★★ TCM Tues. 8 p.m.
The Perfect Storm (2000) ★★★ AMC Wed. 10:45 p.m. AMC Thur. 5 p.m.
Philadelphia (1993) ★★★ Showtime Tues. 2:30 a.m. Showtime Thur. 5:25 a.m.
Rain Man (1988) ★★★★ Ovation Sun. 4 p.m. Ovation Wed. 8 p.m. Ovation Thur. 4 p.m.
Rambo III (1988) ★★ AMC Mon. 9 a.m.
Rambo: First Blood Part II (1985) ★★ AMC Mon. 1 p.m.
Red Dawn (1984) ★★ Encore Thur. 5:14 p.m.
Road to Perdition (2002) ★★★ Showtime Mon. 5 p.m. Showtime Sat. 11:30 p.m.
Rogue One: A Star Wars Story (2016) ★★★ TNT Fri. 7 p.m. TNT Fri. 11 p.m.
Rush Hour (1998) ★★★ TBS Mon. 3:59 a.m. TBS Mon. 10 a.m. TNT Sat. 9:30 a.m.
Rush Hour 2 (2001) ★★ TBS Sun. 8:54 p.m. TBS Mon. Noon TNT Sat. 11:30 a.m. TNT Sat. 8 p.m.
Saving Private Ryan (1998) ★★★★ Paramount Tues. 9:40 p.m.
Scary Movie (2000) ★★★ TMC Tues. 11:15 p.m. TMC Fri. 12:30 p.m.
Scream (1996) ★★★ BBC America Sat. 3:30 a.m.
Seabiscuit (2003) ★★★ FS1 Mon. 8 p.m. FS1 Mon. 10:30 p.m.
Shrek (2001) ★★★ Comedy Central Sat. 11:30 a.m.
Shrek 2 (2004) ★★★ Comedy Central Sat. 9:30 a.m.
Skyfall (2012) ★★★ EPIX Sat. 11:50 p.m.
Solo: A Star Wars Story (2018) ★★ TNT Fri. 4 p.m.
Spider-Man (2002) ★★★ Paramount Wed. 7 p.m. MTV Sat. 2 p.m.
Spider-Man 3 (2007) ★★ MTV Sat. 10:30 a.m.
Spider-Man 2 (2004) ★★★ Paramount Wed. 10 p.m. MTV Sat. 5 p.m.
Spider-Man: Far From Home (2019) ★★★ FX Sun. 5 p.m. FX Tues. 10:30 p.m. FX Wed. 2 p.m.
Spider-Man: Homecoming (2017) ★★★ Starz Tues. 5:43 p.m. Starz Wed. 4:02 a.m. Starz Wed. 1:35 p.m.
Stand by Me (1986) ★★★★ BBC America Tues. 8 p.m. BBC America Wed. 3 a.m. BBC America Wed. 3 p.m. Sundance Sat. 1:25 p.m. AMC Sun. 5:59 a.m.
Suicide Squad (2016) ★★ TNT Sun. 12:25 p.m.
The Sum of All Fears (2002) ★★★ Ovation Thur. 7 p.m. Ovation Fri. 4 p.m.
Sweet Home Alabama (2002) ★★ Freeform Sat. 6:15 p.m.
Talladega Nights: The Ballad of Ricky Bobby (2006) ★★ Paramount Thur. 9:30 p.m.
Taps (1981) ★★ Encore Sun. 1:53 p.m. Encore Mon. 1:45 a.m.
Titanic (1997) ★★★★ Showtime Wed. 8 p.m.
Tombstone (1993) ★★★ AMC Fri. 8 p.m.
Top Gun (1986) ★★★ Paramount Thur. 12:55 p.m.
Transformers: Age of Extinction (2014) ★★ FX Thur. 8 p.m. FX Fri. 4:30 p.m.
True Grit (2010) ★★★ KCOP Mon. Noon
Twister (1996) ★★★ CMT Sun. Noon CMT Sun. 7 p.m. CMT Sat. 5:30 p.m. CMT Sat. 10 p.m.
2001: A Space Odyssey (1968) ★★★★ TCM Thur. 5 p.m.
The Untouchables (1987) ★★★★ Cinemax Mon. 5:59 p.m. Cinemax Thur. 12:26 p.m.
Urban Cowboy (1980) ★★★ Encore Sun. 11:35 a.m. Encore Sat. 2:28 p.m. Encore Sat. 11:15 p.m.
Wayne’s World (1992) ★★ KCOP Sat. 4 p.m.
Wonder Woman (2017) ★★★ TNT Mon. 3 p.m. TBS Sat. 9:30 p.m. TBS Sun. 12:30 p.m.
Working Girl (1988) ★★★ Encore Fri. 8:48 a.m.
Wreck-It Ralph (2012) ★★★ Freeform Sun. 1:35 p.m.

We would like to  say thanks to the  writer of this  short article for this  incredible  material



Movies on TV this week: ‘Solo: A Star Wars Story’ on TNT; ‘Stand by Me’ on BBC America  

"
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      string(715) "Four Star Films, Box Office Hits, Indies and Imports, Movies A – Z FOUR STAR FILMS Top rated movies and made-for-TV films airing the week of the week of Feb 20 – 26, 2022 Casablanca (1942) TCM Mon. 9:45 p.m. E.T. the Extra-Terrestrial (1982) Sundance Sat. 3:25 p.m. Forrest Gump (1994) Paramount Fri. 10 p.m. ... Read more"
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Four Star Films, Box Office Hits, Indies and Imports, Movies A – Z 
FOUR STAR FILMS
Top rated movies and made-for-TV films airing the week of the week of Feb 20 – 26, 2022
Casablanca (1942) TCM Mon. 9:45 p.m.
E.T. the Extra-Terrestrial (1982) Sundance Sat. 3:25 p.m.
Forrest Gump (1994) Paramount Fri. 10 p.m. Paramount Sat. 4:30 p.m.
The French Connection (1971) EPIX Thur. 10:20 p.m.
Giant (1956) TCM Sat. 10:45 a.m.
Goldfinger (1964) BBC America Mon. 9 p.m. BBC America Tues. 2:30 a.m.
Jaws (1975) AMC Sun. 6:42 a.m. AMC Sat. 4 p.m.
The Last Picture Show (1971) TMC Sun. 10 p.m.
Lawrence of Arabia: Director’s Cut (1962) TCM Thur. 7:45 p.m.
Lust for Life (1956) TCM Sun. 4:45 a.m.
The Magnificent Ambersons (1942) TCM Fri. 1:45 a.m.
On Golden Pond (1981) TCM Tues. 8 p.m.
The Philadelphia Story (1940) TCM Fri. 8 a.m.
Rain Man (1988) Ovation Sun. 4 p.m. Ovation Wed. 8 p.m. Ovation Thur. 4 p.m.
Saving Private Ryan (1998) Paramount Tues. 9:40 p.m.
The Shawshank Redemption (1994) Bravo Fri. 8:30 p.m. Bravo Fri. 11:30 p.m.
Stagecoach (1939) TCM Sat. 9 a.m.
Stand by Me (1986) BBC America Tues. 8 p.m. BBC America Wed. 3 a.m. BBC America Wed. 3 p.m. Sundance Sat. 1:25 p.m. AMC Sun. 5:59 a.m.
Titanic (1997) Showtime Wed. 8 p.m.
12 Years a Slave (2013) HBO Tues. 3:20 a.m.
2001: A Space Odyssey (1968) TCM Thur. 5 p.m.
The Untouchables (1987) Cinemax Mon. 5:59 p.m. Cinemax Thur. 12:26 p.m.
Four Star Films, Box Office Hits, Indies and Imports, Movies A – Z 
BRAVO, IFC & SUNDANCE IN PRIMETIME
Bravo, IFC & Sundance in primetime, airing the week of the week of Feb 20 – 26, 2022
Avatar (2009) ★★★ IFC Sun. 11:45 a.m. BBC America Fri. 7:30 p.m. BBC America Sat. Noon
Bad Boys (1995) ★★ Bravo Thur. 10:30 p.m. Bravo Fri. 3 p.m. USA Sat. 3:30 p.m. USA Sat. 6:30 p.m.
Bad Boys II (2003) ★★ Bravo Fri. 1 a.m. Bravo Fri. 5:30 p.m. USA Sat. 9 p.m.
The Color Purple (1985) ★★★ Sundance Sun. 8:15 p.m. AMC Sat. 9:24 a.m.
The Dukes of Hazzard (2005) ★★ IFC Sat. 8:45 p.m. IFC Sun. 1:10 a.m.
E.T. the Extra-Terrestrial (1982) ★★★★ Sundance Sat. 3:25 p.m.
Edge of Tomorrow (2014) ★★★ IFC Sun. 9:15 a.m. BBC America Thur. 8:30 p.m. BBC America Fri. 5 p.m.
A Few Good Men (1992) ★★★ Sundance Sat. 8 p.m. Sundance Sat. 11 p.m.
Ghosts of Mississippi (1996) ★★ Sundance Sun. 5:15 p.m.
Gods of Egypt (2016) ★ IFC Fri. 2:30 p.m. IFC Sat. 9:30 a.m. IFC Sat. 2:30 p.m.
Godzilla (2014) ★★ IFC Fri. 9:15 a.m. IFC Sat. 9:15 a.m.
Grown Ups (2010) ★ E! Sun. 5:30 p.m. Bravo Sat. 7:30 p.m. Bravo Sun. Noon
Killer Elite (2011) ★★ IFC Fri. 6:45 a.m. IFC Sat. 6:45 a.m.
The Last Witch Hunter (2015) ★★ IFC Fri. Noon IFC Sat. 7 a.m. IFC Sat. Noon
Lethal Weapon 4 (1998) ★★ AMC Mon. 10:30 p.m. AMC Tues. 5 p.m. IFC Fri. 11 p.m. IFC Sat. 6 p.m.
Mad Max: Fury Road (2015) ★★★ IFC Sun. 3:15 p.m. IFC Fri. 8:15 p.m. IFC Sat. 3:15 p.m. IFC Sat. 8:15 p.m.
Malcolm X (1992) ★★★ Sundance Sun. 12:45 p.m. AMC Fri. 9 a.m.
Mr. Deeds (2002) ★ E! Sun. 8 p.m. Bravo Sat. 5:30 p.m. Bravo Sat. 10 p.m.
The Outsiders (1983) ★★ Sundance Sat. 6 p.m. Sundance Sun. 2 a.m.
Prometheus (2012) ★★ IFC Fri. 5:15 p.m. IFC Sat. 12:15 p.m. IFC Sat. 5:15 p.m.
The Punisher (2004) ★★ IFC Sun. 6:30 a.m. AMC Tues. 11 p.m. AMC Wed. 2:30 p.m.
A Raisin in the Sun (1961) ★★★ Sundance Mon. 2:45 a.m.
Road Trip (2000) ★★ IFC Sat. 3:55 a.m. IFC Sun. 3:55 a.m.
Rosewood (1997) ★★★ Sundance Sun. 11:45 p.m.
The Shawshank Redemption (1994) ★★★★ Bravo Fri. 8:30 p.m. Bravo Fri. 11:30 p.m.
The Spy Who Dumped Me (2018) ★★ Bravo Sat. 12:30 p.m.
Stand by Me (1986) ★★★★ BBC America Tues. 8 p.m. BBC America Wed. 3 a.m. BBC America Wed. 3 p.m. Sundance Sat. 1:25 p.m. AMC Sun. 5:59 a.m.
Super Troopers 2 (2018) ★★ IFC Sat. 1:45 a.m. IFC Sat. 11 p.m. IFC Sun. 1:45 a.m.
Superbad (2007) ★★★ E! Sun. 10:30 a.m. Bravo Sat. 3 p.m. Bravo Sun. 2:30 a.m.
Tammy (2014) ★ Bravo Fri. 1 p.m. Bravo Sat. 10:30 a.m.
Four Star Films, Box Office Hits, Indies and Imports, Movies A – Z 
BOX OFFICE HITS
Movies that scored big at the box office, airing the week of the week of Feb 20 – 26, 2022
Air Force One (1997) ★★★ BBC America Sun. 1 p.m. BBC America Sun. 10 p.m. BBC America Sat. 11:53 p.m.
Airplane! (1980) ★★★ EPIX Mon. 6:30 p.m.
Aladdin (1992) ★★★ Freeform Sun. 6:15 p.m.
Anger Management (2003) ★★ Cinemax Wed. 12:53 p.m. Cinemax Fri. 6:14 p.m.
Any Which Way You Can (1980) ★★ REELZ Wed. 6:30 p.m. REELZ Thur. 9 p.m.
Apollo 13 (1995) ★★★ AMC Sun. 12:30 p.m.
As Good as It Gets (1997) ★★★ Ovation Sun. 7 p.m. Ovation Mon. 4 p.m.
Bad Boys for Life (2020) ★★ FX Wed. 7:30 p.m. FX Thur. 5:30 p.m.
Bad Boys II (2003) ★★ Bravo Fri. 1 a.m. Bravo Fri. 5:30 p.m. USA Sat. 9 p.m.
Batman v Superman: Dawn of Justice (2016) ★★ TBS Sat. 1 p.m.
Big Momma’s House (2000) ★★ VH1 Fri. 12:30 p.m.
The Birdcage (1996) ★★★ Cinemax Fri. 4:13 p.m.
Braveheart (1995) ★★★ Paramount Tues. 12:21 p.m.
Broadcast News (1987) ★★★ Cinemax Sat. 8:56 a.m.
Cars 2 (2011) ★★ Freeform Sun. 11 a.m.
Cast Away (2000) ★★★ Freeform Tues. 3 p.m.
Cliffhanger (1993) ★★★ BBC America Mon. 4 a.m.
The Color Purple (1985) ★★★ Sundance Sun. 8:15 p.m. AMC Sat. 9:24 a.m.
Con Air (1997) ★★ AMC Sun. 2:42 p.m.
Crocodile Dundee (1986) ★★★ EPIX Thur. 1:15 a.m.
The Da Vinci Code (2006) ★★ POP Fri. 11 p.m. POP Sat. 11 a.m.
The Dark Knight Rises (2012) ★★★ HBO Thur. 5:10 a.m. HBO Sun. 4:20 a.m.
Dave (1993) ★★★ Ovation Mon. 7 p.m. Ovation Tues. 4 p.m.
Days of Thunder (1990) ★★ HBO Wed. 3:25 p.m. HBO Sat. 7:50 a.m.
Deadpool 2 (2018) ★★★ FX Tues. Noon FX Tues. 5:30 p.m.
Demolition Man (1993) ★★ Encore Fri. 7:01 p.m. Encore Sat. 12:29 p.m.
Despicable Me (2010) ★★★ Nickelodeon Thur. 5 p.m. Nickelodeon Fri. 3 p.m. Comedy Central Sat. 3:30 p.m.
Despicable Me 2 (2013) ★★★ Nickelodeon Wed. 8 p.m. Nickelodeon Wed. 9 p.m. Nickelodeon Thur. 3 p.m. Comedy Central Sat. 1:30 p.m.
Die Another Day (2002) ★★ BBC America Mon. 1 p.m.
E.T. the Extra-Terrestrial (1982) ★★★★ Sundance Sat. 3:25 p.m.
Enemy of the State (1998) ★★★ Syfy Thur. 9 p.m. Syfy Fri. 5:28 p.m.
Every Which Way But Loose (1978) ★★ REELZ Wed. 4 p.m. REELZ Wed. 9 p.m.
Fast & Furious 6 (2013) ★★ HBO Wed. 2:40 a.m. HBO Sat. 5:43 p.m.
Fast Five (2011) ★★ TNT Sun. 11:30 p.m. TRU Mon. 10 p.m. TRU Tues. 12:30 p.m.
A Few Good Men (1992) ★★★ Sundance Sat. 8 p.m. Sundance Sat. 11 p.m.
First Blood (1982) ★★★ AMC Mon. 11 a.m. AMC Tues. 1:30 a.m.
Footloose (1984) ★★ Showtime Fri. 7:35 a.m.
For Your Eyes Only (1981) ★★★ BBC America Mon. 3:32 p.m. BBC America Mon. 11:30 p.m.
Forrest Gump (1994) ★★★★ Paramount Fri. 10 p.m. Paramount Sat. 4:30 p.m.
Free Guy (2021) ★★★ HBO Sat. 8 p.m.
The Fugitive (1993) ★★★ AMC Sat. 9:30 p.m.
Giant (1956) ★★★★ TCM Sat. 10:45 a.m.
Gladiator (2000) ★★★ Showtime Fri. 3:30 p.m.
Goldfinger (1964) ★★★★ BBC America Mon. 9 p.m. BBC America Tues. 2:30 a.m.
Groundhog Day (1993) ★★★ Encore Mon. 1:47 p.m. Encore Mon. 9 p.m.
Grown Ups (2010) ★ E! Sun. 5:30 p.m. Bravo Sat. 7:30 p.m. Bravo Sun. Noon
Grumpier Old Men (1995) ★★ Ovation Sat. 7:30 p.m.
Grumpy Old Men (1993) ★★ Ovation Sat. 5 p.m.
Hancock (2008) ★★ TNT Wed. 10 p.m. TNT Thur. 2 p.m.
The Hangover Part II (2011) ★★ FX Sat. 5:30 p.m.
Harry Potter and the Chamber of Secrets (2002) ★★★ Syfy Sun. 11:30 a.m. E! Fri. 3:35 p.m. E! Sat. 5:40 a.m. E! Sat. 6 a.m.
Harry Potter and the Goblet of Fire (2005) ★★★ Syfy Sun. 6:28 p.m. Syfy Mon. 10:55 a.m. E! Fri. 10:40 p.m. E! Sat. 12:30 p.m.
Harry Potter and the Half-Blood Prince (2009) ★★★ Syfy Mon. 1 a.m. Syfy Mon. 5:30 p.m. E! Sat. 7:10 p.m.
Harry Potter and the Order of the Phoenix (2007) ★★★ Syfy Sun. 9:58 p.m. Syfy Mon. 2:30 p.m. E! Sat. 4:05 p.m. E! Sun. 5:05 a.m.
Harry Potter and the Prisoner of Azkaban (2004) ★★★ Syfy Sun. 3:25 p.m. E! Fri. 7:35 p.m. E! Sat. 9:25 a.m.
Harry Potter and the Sorcerer’s Stone (2001) ★★★ Syfy Sun. 8 a.m. E! Fri. Noon E! Sat. 2:15 a.m.
Hitch (2005) ★★★ E! Thur. 8:30 a.m. E! Thur. Noon
The Hobbit: An Unexpected Journey (2012) ★★ HBO Sat. 1:55 p.m.
The Hobbit: The Battle of the Five Armies (2014) ★★ AMC Thur. 1:45 p.m.
Hook (1991) ★★★ Syfy Tues. 8 a.m.
How the West Was Won (1962) ★★★ TCM Tues. 5 p.m.
Hulk (2003) ★★ Starz Thur. 10:56 p.m. Starz Fri. 10:38 a.m.
The Hunt for Red October (1990) ★★★ BBC America Sun. 4 p.m.
The Incredibles (2004) ★★★ Freeform Sun. 8:20 p.m.
Independence Day (1996) ★★★ HBO Thur. 5:35 p.m. HBO Sat. 11:30 a.m.
Inside Out (2015) ★★★ Disney Sun. 7 p.m.
Iron Man 3 (2013) ★★★ Encore Thur. 8:43 a.m. Encore Thur. 9 p.m.
Jaws (1975) ★★★★ AMC Sun. 6:42 a.m. AMC Sat. 4 p.m.
Jaws 2 (1978) ★★ AMC Sun. 9:42 a.m. AMC Wed. Noon AMC Thur. 9 a.m.
Joker (2019) ★★★ TNT Mon. 2 a.m.
Jurassic Park (1993) ★★★ HBO Wed. 6:50 a.m.
A League of Their Own (1992) ★★★ MLB Mon. 5 p.m.
Legally Blonde (2001) ★★ E! Thur. 5 p.m. E! Fri. 2:30 a.m.
Lethal Weapon 3 (1992) ★★★ AMC Mon. 8 p.m. AMC Tues. 2:30 p.m.
Lethal Weapon 2 (1989) ★★★ AMC Mon. 5:30 p.m. AMC Tues. Noon
Madagascar (2005) ★★★ TOON Sat. 6 p.m.
Madagascar 3: Europe’s Most Wanted (2012) ★★ UNIMAS Sat. 10 a.m. KFTR Sat. 1 p.m.
The Matrix Reloaded (2003) ★★★ POP Mon. 1:20 p.m. POP Mon. 11 p.m.
The Matrix Revolutions (2003) ★★ POP Mon. 4:35 p.m. POP Tues. 2 a.m.
The Matrix (1999) ★★★ POP Mon. 10 a.m. POP Mon. 7:30 p.m.
Meet Me in St. Louis (1944) ★★★ TCM Fri. 1 p.m.
Men in Black (1997) ★★★ Freeform Mon. 10:30 a.m.
Men in Black II (2002) ★★ Freeform Mon. 12:30 p.m. Freeform Tues. 10:30 a.m.
Minions (2015) ★★ TOON Mon. 5:15 p.m. TOON Tues. 1 p.m.
Misery (1990) ★★★ Showtime Wed. 3:30 a.m.
Miss Congeniality (2000) ★★ E! Thur. Noon E! Thur. 7 p.m.
Mr. Deeds (2002) ★ E! Sun. 8 p.m. Bravo Sat. 5:30 p.m. Bravo Sat. 10 p.m.
Mr. Mom (1983) ★★ Encore Sun. 9 p.m.
Mrs. Doubtfire (1993) ★★★ Freeform Sun. 8 a.m.
The Natural (1984) ★★★ TMC Sun. 5:30 p.m. TMC Sat. 6:35 a.m.
On Golden Pond (1981) ★★★★ TCM Tues. 8 p.m.
The Perfect Storm (2000) ★★★ AMC Wed. 10:45 p.m. AMC Thur. 5 p.m.
Philadelphia (1993) ★★★ Showtime Tues. 2:30 a.m. Showtime Thur. 5:25 a.m.
Rain Man (1988) ★★★★ Ovation Sun. 4 p.m. Ovation Wed. 8 p.m. Ovation Thur. 4 p.m.
Rambo III (1988) ★★ AMC Mon. 9 a.m.
Rambo: First Blood Part II (1985) ★★ AMC Mon. 1 p.m.
Red Dawn (1984) ★★ Encore Thur. 5:14 p.m.
Road to Perdition (2002) ★★★ Showtime Mon. 5 p.m. Showtime Sat. 11:30 p.m.
Rogue One: A Star Wars Story (2016) ★★★ TNT Fri. 7 p.m. TNT Fri. 11 p.m.
Rush Hour (1998) ★★★ TBS Mon. 3:59 a.m. TBS Mon. 10 a.m. TNT Sat. 9:30 a.m.
Rush Hour 2 (2001) ★★ TBS Sun. 8:54 p.m. TBS Mon. Noon TNT Sat. 11:30 a.m. TNT Sat. 8 p.m.
Saving Private Ryan (1998) ★★★★ Paramount Tues. 9:40 p.m.
Scary Movie (2000) ★★★ TMC Tues. 11:15 p.m. TMC Fri. 12:30 p.m.
Scream (1996) ★★★ BBC America Sat. 3:30 a.m.
Seabiscuit (2003) ★★★ FS1 Mon. 8 p.m. FS1 Mon. 10:30 p.m.
Shrek (2001) ★★★ Comedy Central Sat. 11:30 a.m.
Shrek 2 (2004) ★★★ Comedy Central Sat. 9:30 a.m.
Skyfall (2012) ★★★ EPIX Sat. 11:50 p.m.
Solo: A Star Wars Story (2018) ★★ TNT Fri. 4 p.m.
Spider-Man (2002) ★★★ Paramount Wed. 7 p.m. MTV Sat. 2 p.m.
Spider-Man 3 (2007) ★★ MTV Sat. 10:30 a.m.
Spider-Man 2 (2004) ★★★ Paramount Wed. 10 p.m. MTV Sat. 5 p.m.
Spider-Man: Far From Home (2019) ★★★ FX Sun. 5 p.m. FX Tues. 10:30 p.m. FX Wed. 2 p.m.
Spider-Man: Homecoming (2017) ★★★ Starz Tues. 5:43 p.m. Starz Wed. 4:02 a.m. Starz Wed. 1:35 p.m.
Stand by Me (1986) ★★★★ BBC America Tues. 8 p.m. BBC America Wed. 3 a.m. BBC America Wed. 3 p.m. Sundance Sat. 1:25 p.m. AMC Sun. 5:59 a.m.
Suicide Squad (2016) ★★ TNT Sun. 12:25 p.m.
The Sum of All Fears (2002) ★★★ Ovation Thur. 7 p.m. Ovation Fri. 4 p.m.
Sweet Home Alabama (2002) ★★ Freeform Sat. 6:15 p.m.
Talladega Nights: The Ballad of Ricky Bobby (2006) ★★ Paramount Thur. 9:30 p.m.
Taps (1981) ★★ Encore Sun. 1:53 p.m. Encore Mon. 1:45 a.m.
Titanic (1997) ★★★★ Showtime Wed. 8 p.m.
Tombstone (1993) ★★★ AMC Fri. 8 p.m.
Top Gun (1986) ★★★ Paramount Thur. 12:55 p.m.
Transformers: Age of Extinction (2014) ★★ FX Thur. 8 p.m. FX Fri. 4:30 p.m.
True Grit (2010) ★★★ KCOP Mon. Noon
Twister (1996) ★★★ CMT Sun. Noon CMT Sun. 7 p.m. CMT Sat. 5:30 p.m. CMT Sat. 10 p.m.
2001: A Space Odyssey (1968) ★★★★ TCM Thur. 5 p.m.
The Untouchables (1987) ★★★★ Cinemax Mon. 5:59 p.m. Cinemax Thur. 12:26 p.m.
Urban Cowboy (1980) ★★★ Encore Sun. 11:35 a.m. Encore Sat. 2:28 p.m. Encore Sat. 11:15 p.m.
Wayne’s World (1992) ★★ KCOP Sat. 4 p.m.
Wonder Woman (2017) ★★★ TNT Mon. 3 p.m. TBS Sat. 9:30 p.m. TBS Sun. 12:30 p.m.
Working Girl (1988) ★★★ Encore Fri. 8:48 a.m.
Wreck-It Ralph (2012) ★★★ Freeform Sun. 1:35 p.m.

We would like to  say thanks to the  writer of this  short article for this  incredible  material



Movies on TV this week: ‘Solo: A Star Wars Story’ on TNT; ‘Stand by Me’ on BBC America  

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